Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
Gounod's "Ave Maria," so full of suggestions of "Faust," is the next
number, and Parepa comes forward to sing it, dressed in pure white.
She receives a perfect ovation. In the morning, at rehearsal, she had
been very nervous. The vast orchestra and chorus before her almost
terrified her, and she was confident she could but make her voice
heard for a short distance. The "Ave Maria" is not a fair test of the
capabilities of her voice, however, as she has only an accompaniment
of _two hundred violins_ to do the _obligato_. She bows to the
audience, and, turning, acknowledges the hearty welcome which the
chorus has given her. Every tone of her voice is audible, even in the
most distant parts of the hall. Its absolute purity, and the entire
absence of woodiness in it, make it heard, and give you confidence
that you will also hear it in the "Inflammatus," where she will have
a severe test.
The "Star-Spangled Banner" is the next feature. It has been arranged
differently for this occasion, which may account for a slight _faux
pas_ which happened. The tenors and bassos take the first verse, and
the sopranos and altos the second verse in unison, which gives you
an excellent opportunity of hearing the various parts of the great
chorus by themselves. It would be difficult to say which was the
best, although I am inclined to give the palm to the tenors, and
yet I think no one who heard them can ever forget the other parts.
A serious mistake occurred in the accompaniment. The trumpets are
badly out. Some of the other brasses follow, and draw off some of the
violins. The chorus begins to waver. There is danger of a disastrous
breakdown. Gilmore, who is at the baton, is growing nervous; he
fairly jumps up and down in his anxiety. And still it is running
away, when suddenly Wilcox opens all the great organ, and with a
crash of sound and an obstinately right _tempo_, brings all the
discordant elements together again. The artillery peals in with its
thunder in perfect time, and as the last measure closes, the whole
audience rise unanimously to their feet at once, and the most intense
excitement prevails. Thousands of handkerchiefs are waved by the
ladies and flutter in the air like white doves. Men wave their hats
and clap their hands, and the air is filled with bravos and cheers,
which are kept up until the _encore_ is given.
Public-domain text, read in full here on John Shaqi.
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