Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
The day of Jubilee has gone. The great Peace Festival has passed
into the annals of musical history. The outside halo of peace which
encircled it shone so dimly that I do not conceive any national
significance attaches to it. It is to be judged purely as a musical
event, and it will take its place in musical annals as an ambitious
and bold experiment, and, in large degree, as a grand success. There
were points open to honest criticism, and some of these points I have
indicated in these letters; but many of these defects were beyond
the remedy either of conductor or chorus. It was a musical success,
because it has shown that ten thousand people can sing together and
one thousand instruments play together, not only both in time and
tune, but also with sufficient expression to make effects. It is
not to be denied that some very paltry music has been played--in
fact, the whole programme of Thursday was devoted just to this class
of music--and that many of the numbers in each day were purely
meretricious and sensational. But the bare fact of the organization
and manipulation of such a vast chorus and orchestra stands now,
and will always stand, as a monument of which the projector and his
assistants have a right to be proud.
The great chorus dispersed last evening, having accomplished its
arduous work. Exhausted as they must have been with the four days'
task, I doubt whether any one of the ten thousand singers closed his
or her book without regret. It was something to be proud of to have
sung and played at this Jubilee. I can appreciate the feelings of a
prominent Chicago bass singer, who had been only a listener during
a portion of the programme on Friday. The next number was the grand
chorus, "Thanks be to God," from "Elijah." He hurried over to me,
and, seizing me by the collar, said: "Tell me how I can get into that
chorus. I cannot stand this any longer. I _must_ sing the Elijah
piece." I directed him how to get admission, and the next I saw of
him he was in the front rank of the bassos, joining his voice with
the thousands around him in the grand swelling anthem of praise.
Public-domain text, read in full here on John Shaqi.
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