Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
It is another fact that the man himself was not aware that he was
such a hero. Neither were those who have been acquainted with him
aware that he was made of heroic stuff. To himself and to them,
he has been plain Smith or plain Brown, a decent sort of fellow,
plodding along, making money enough to pay his board bills with,
and never supposing he was destined to set the world on fire. He
had never before dreamed that he was a hero. He had never before
supposed that the rhythm of his very prosaic life would ever assume
the epic form. The same fact is true in fiction. The heroes of the
novels are very commonplace people, but the heroines always make
them believe they are supernatural people. Auerbach appreciated
this weakness in human nature when he made Irma--that splendid,
womanly type--fall in love with the King, and invest him with all
the attributes of a demi-god, when, in reality, he was nothing but a
very ordinary, commonplace, selfish, ungrateful mortal, who could no
more rise to the great height of her nature than the clod can rise
to the cloud. You will find that same weakness brought out in that
new book of Spielhagen's--"Problematic Characters"--where Melitta, a
beautiful type of woman, falls in love with Oswald, a vain, shallow,
purposeless coxcomb, who adores every pretty face he meets. Yet
Melitta invests him with all the heroic attributes, and wastes her
great love upon him, as the ancient maiden wasted her kisses upon the
marble insensibility of Apollo.
Thus it is that once in every man's life, at least, he becomes a
hero, whether he will or not, and it is not the least curious part
of the matter that he does not question at all, but accepts the
position at once, and allows himself to be set up as an object of
idolatry. He knows it is all humbug, but he is willing to accept it,
and usually ends by temporarily convincing himself he is a hero and
an idol. Of course, after hero and heroine become one flesh, he gets
the conceit knocked out of him, takes off his insignia, quietly gets
down from his pedestal, and consents to become what he was before
his hero-existence--a very ordinary mortal, who has to pay taxes,
work for a weekly stipend, earn bread and butter, and eat it. Now,
this is precisely the case with our mutual friend, Blanche. Harry
is, undoubtedly, a well-meaning, good-natured fellow, who will earn
a good living and take care of Blanche in a creditable manner; but
Blanche has magnified him into a hero, and looks at him through
other spectacles than ours. Usually, these cases suggest their own
remedies, and carry their cure with them. The disease wears itself
out, like whooping-cough or cold in the head. But there is danger
in allowing it to run and get seated, so that the inevitable tumble
which must come, sooner or later, will hurt them. After a specified
time, the rainbow will dissipate into a dull, leaden color, the
flowers will fade, the nectar will grow sour, the gorgeous palaces
Public-domain text, read in full here on John Shaqi.
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