Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
There are days, when the hour is about sunset, and a gentle
north-east wind is blowing, that the Lake is of a light green,
except a blue strip in the far north. The eastern horizon joins
the water by an almost indefinable white line, as if they had been
welded together, but all is vague and indistinct and vailed in a haze
into which a vessel here and there melts like a phantom. There is
hardly wind enough to form waves, but there is regular motion of the
water--as regular as the rhythm of music--and in the distance you
will see, now and then, a wave breaking white upon the shore, like
the white hand of some spent swimmer, clutching at the sand in mortal
agony. In the eastern sky, the lower strata of clouds are ragged
and angular in shape, and dark gray in color, and only afford you
glimpses, here and there, of the clouds above them, which are round
and billowy, and would be white but for the roseate glow with which
they are suffused by the sun, which is sinking into an angry bank
of clouds, such as Dore loves to paint, like a great crimson stain
upon the sky. Wherever the tips of these upper clouds appear, they
cast a faint reflection upon the green of the water, not producing
a duplicate of color, but bronzing the water in spots, which are
continually changing. Sometimes, for a moment, the lower clouds part,
and reveal a golden glory behind them, which, for only an instant,
illumines the water beneath. This is peculiarly the dreamy feeling
of the Lake. There is a dreamy tone in the wash of the waves. The
rhythm is perfectly uniform, and the key is in accord with melancholy
and tenderness. The flow is peaceful, only now and then you may hear
a tone in the hazy distance, a little louder than the rest, like a
drum-beat in a far-off orchestra. You may be so near the Lake that
the foam of the spent waves will crawl over your feet, and their
sound will still be dreamy, and apparently in the distance. It is
like nothing so much as the voices and the faces which come to you in
the night out of the Past. Its cadence is mournful and yet beautiful.
It is then the time to be alone, to cast yourself upon the sand
and listen to the stories of these waves--stories of the sailors
who sailed the Spanish main, and never came home again--of vessels
which went down, and left no one to tell the tale--of phantom ships,
which suddenly loom up before affrighted sailors in the darkness--of
storms, driving their black chariots over the deep--of Mermaids,
and Sirens, and Undines, luring on their victims to destruction,
with their white bosoms and voluptuous melodies--of the beautiful
fabrics you reared years ago--all gone, as the wave washes out the
print of your feet in the sands. And, as you lie there and dream,
the moon, yet silvery-gray in the early evening, passes behind a
cloud. The distant city is hidden by a curtain of gray mist--hidden,
with all its men and women, toiling, struggling, loving, cursing and
Public-domain text, read in full here on John Shaqi.
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