Epistolary fiction; French fiction -- Translations into English; Man-woman relationships -- Fiction; Married women -- Fiction
He went; I thought he would have stayed. I won't attempt to tell you
what I suffered. I found a second self within, quite strange to me. A
crisis like this has, for the woman who loves, a tragic solemnity that
baffles words; the whole of life rises before you then, and you search
in vain for any horizon to it; the veriest trifle is big with meaning, a
glance contains a volume, icicles drift on uttered words, and the death
sentence is read in a movement of the lips.
I thought he would have paid me back in kind; had I not been
magnanimous? I climbed to the top of the chalet, and my eyes followed
him on the road. Ah! my dear Renee, he vanished from my sight with an
appalling swiftness.
"How keen he is to go!" was the thought that sprang of itself.
Once more alone, I fell back into the hell of possibilities, the
maelstrom of mistrust. There were moments when I would have welcomed
any certainty, even the worst, as a relief from the torture of suspense.
Suspense is a duel carried on in the heart, and we give no quarter to
ourselves.
I paced up and down the walks. I returned to the house, only to tear
out again, like a mad woman. Gaston, who left at seven o'clock, did not
return till eleven. Now, as it only takes half an hour to reach Paris
through the park of St. Cloud and the Bois de Boulogne, it is plain that
he must have spent three hours in town. He came back radiant, with a
whip in his hand for me, an india-rubber whip with a gold handle.
For a fortnight I had been without a whip, my old one being worn and
broken.
"Was it for this you tortured me?" I said, as I admired the workmanship
of this beautiful ornament, which contains a little scent-box at one
end.
Then it flashed on me that the present was a fresh artifice.
Nevertheless I threw myself at once on his neck, not without reproaching
him gently for having caused me so much pain for the sake of a trifle.
He was greatly pleased with his ingenuity; his eyes and his whole
bearing plainly showed the restrained triumph of the successful plotter;
for there is a radiance of the soul which is reflected in every feature
and turn of the body. While still examining the beauties of this work of
art, I asked him at a moment when we happened to be looking each other
in the face:
"Who is the artist?"
"A friend of mine."
"Ah! I see it has been mounted by Verdier," and I read the name of the
shop printed on the handle.
Gaston is nothing but a child yet. He blushed, and I made much of him
as a reward for the shame he felt in deceiving me. I pretended to notice
nothing, and he may well have thought the incident was over.
May 25th.
The next morning I was in my riding-habit by six o'clock, and by seven
landed at Verdier's, where several whips of the same pattern were shown
to me. One of the men serving recognized mine when I pointed it out to
him.
Public-domain text, read in full here on John Shaqi.
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