"And whether the king was there or not
He never knew, he never colde
For never since that doleful day
Was British Arthur seen on molde."
[Footnote 27: See "Percy's Reliques of Ancient English Poetry."]
The circumstances attending the disappearance of Merlin would probably
be found as imaginative as those of Arthur's removal, but they cannot be
recovered; and what is singular enough, circumstances which originally
belonged to the history of this famous bard, said to be the son of the
Demon himself, have been transferred to a later poet, and surely one of
scarce inferior name, Thomas of Erceldoune. The legend was supposed to
be only preserved among the inhabitants of his native valleys, but a
copy as old as the reign of Henry VII. has been recovered. The story is
interesting and beautifully told, and, as one of the oldest fairy
legends, may well be quoted in this place.
Thomas of Erceldoune, in Lauderdale, called the Rhymer, on account of
his producing a poetical romance on the subject of Tristrem and Yseult,
which is curious as the earliest specimen of English verse known to
exist, flourished in the reign of Alexander III. of Scotland. Like other
men of talent of the period, Thomas was suspected of magic. He was said
also to have the gift of prophecy, which was accounted for in the
following peculiar manner, referring entirely to the elfin
superstition:--As True Thomas (we give him the epithet by anticipation)
lay on Huntly Bank, a place on the descent of the Eildon Hills, which
raise their triple crest above the celebrated Monastery of Melrose, he
saw a lady so extremely beautiful that he imagined it must be the Virgin
Mary herself. Her appointments, however, were rather those of an Amazon
or goddess of the woods. Her steed was of the highest beauty and spirit,
and at his mane hung thirty silver bells and nine, which made music to
the wind as she paced along. Her saddle was of _royal bone_ (ivory),
laid over with _orfeverie_--_i.e._, goldsmith's work. Her stirrups, her
dress, all corresponded with her extreme beauty and the magnificence of
her array. The fair huntress had her bow in her hand, and her arrows at
her belt. She led three greyhounds in a leash, and three raches, or
hounds of scent, followed her closely. She rejected and disclaimed the
homage which Thomas desired to pay to her; so that, passing from one
extremity to the other, Thomas became as bold as he had at first been
humble. The lady warns him that he must become her slave if he should
prosecute his suit towards her in the manner he proposes. Before their
interview terminates, the appearance of the beautiful lady is changed
into that of the most hideous hag in existence. One side is blighted and
wasted, as if by palsy; one eye drops from her head; her colour, as
clear as the virgin silver, is now of a dun leaden hue. A witch from the
spital or almshouse would have been a goddess in comparison to the late
beautiful huntress.
Public-domain text, read in full here on John Shaqi.
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