Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.Brewster, David
History
Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.
Brewster, David
Scientific recreations
The apparatus now described was all that was visible to the spectator;
and though fixed in one spot, yet it had the appearance of a piece of
separate machinery, which might have occupied any other part of the
room. When one of the spectators was requested by the exhibitor to
propose some question, he did it by speaking into one of the trumpets
at T. An appropriate answer was then returned from all the trumpets,
and the sound issued with sufficient intensity to be heard by an ear
applied to any of them, and yet it was so weak that it appeared to come
from a person of very diminutive size. Hence the sound was supposed to
come from an invisible girl, though the real speaker was a full-grown
woman. The invisible lady conversed in different languages, sang
beautifully, and made the most lively and appropriate remarks on the
persons in the room.
This exhibition was obviously far more wonderful than the speaking
heads which we have described, as the latter invariably communicated
with a wall, or with a pedestal through which pipes could be carried
into the next apartment. But the ball M and its trumpets communicated
with nothing through which sound could be conveyed. The spectator
satisfied himself by examination that the ribands _b_, _b_, were real
ribands, which concealed nothing, and which could convey no sound; and
as he never conceived that the ordinary piece of frame-work AB could
be of any other use than its apparent one of supporting the sphere M,
and defending it from the spectators, he was left in utter amazement
respecting the origin of the sound, and his surprise was increased
by the difference between the sounds which were uttered and those of
ordinary speech.
Though the spectators were thus deceived by their own reasoning,
yet the process of deception was a very simple one. In two of the
horizontal railings A, A, Fig. 38, opposite the trumpet mouths T,
there was an aperture communicating with a pipe or tube which went
to the vertical post B, and descending it, as shown at TAA, Fig. 39,
went beneath the floor _f f_, in the direction _p p_, and entered the
apartment N, where the invisible lady sat. On the side of the partition
about _h_, there was a small hole through which the lady saw what was
going on in the exhibition-room, and communications were no doubt made
to her by signals from the person who attended the machine. When one of
the spectators asked a question by speaking into one of the trumpets
T, the sound was reflected from the mouth of the trumpet back to the
aperture at A, in the horizontal rail, Fig. 38, and was distinctly
conveyed along the closed tube into the apartment N. In like manner the
answer issued from the aperture A, and being reflected back to the ear
of the spectator by the trumpet, he heard the sounds with that change
of character which they receive when transmitted through a tube and
then reflected to the ear.
[Illustration: _Fig. 39._]
Public-domain text, read in full here on John Shaqi.
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