Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.Brewster, David
History
Letters on Natural Magic; Addressed to Sir Walter Scott, Bart.
Brewster, David
Scientific recreations
Ingenious as all these machines are, they sink into insignificance
when compared with the automaton chess-player, which for a long time
astonished and delighted the whole of Europe. In the year 1769, M.
Kempelen, a gentleman of Presburg in Hungary, constructed an automaton
chess-player, the general appearance of which is shown in the annexed
figures. The chess-player is a figure as large as life, clothed in a
Turkish dress, sitting behind a large square chest or box, three feet
and a half long, two feet deep, and two and a half high. The machine
runs on castors, and is either seen on the floor when the doors of the
apartment are thrown open, or is wheeled into the room previously to
the commencement of the exhibition. The Turkish chess-player sits on a
chair fixed to the square chest: his right arm rests on the table, and
in the left he holds a pipe, which is removed during the game, as it is
with this hand that he makes the moves. A chess-board, eighteen inches
square, and bearing the usual number of pieces, is placed before the
figure. The exhibitor then announces to the spectators his intention
of showing them the mechanism of the automaton. For this purpose he
unlocks the door A, Fig. 66, and exposes to view a small cupboard lined
with black or dark-coloured cloth, and containing cylinders, levers,
wheels, pinions, and different pieces of machinery, which _have the
appearance_ of occupying the whole space. He next opens the door B,
Fig. 67, at the back of the same cupboard, and holding a lighted candle
at the opening, he still further displays the inclosed machinery to
the spectators, placed in front of A, Fig. 66. When the candle is
withdrawn, the door B is then locked; and the exhibitor proceeds to
open the drawer G G, Fig. 66, in front of the chest. Out of this drawer
he takes a small box of counters, a set of chess-men, and a cushion for
the support of the automaton’s arm, as if this was the sole object of
the drawer. The two front doors C C, of the large cupboard, Fig. 66,
are then opened, and at the back-door D of the same cupboard, Fig. 67,
the exhibitor applies a lighted candle, as before, for the purpose of
showing its interior, which is lined with dark cloth like the other,
and contains only a few pieces of machinery. The chest is now wheeled
round, as in Fig. 67: the garments of the figure are lifted up, and the
door E in the trunk, and another door F in the thigh, are opened, the
doors B and D having been previously closed. When this exhibition of
the interior of the machine is over, the chest is wheeled back into its
original position on the floor. The doors A, C, C, in front, and the
drawer G, G, are closed and locked, and the exhibitor, after occupying
himself for some time at the back of the chest, as if he were adjusting
the mechanism, removes the pipe from the hand of the figure, and winds
up the machinery.
Public-domain text, read in full here on John Shaqi.
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