Authors -- Biography; Authors, English -- Biography; Literature -- History and criticism
For Humanity, of which you hoped such great things, Science predicts
extinction in a night of Frost. The sun will grow cold, slowly—as slowly
as doom came on Jupiter in your “Prometheus,” but as surely. If this
nightmare be fulfilled, perhaps the Last Man, in some fetid hut on the
ice-bound Equator, will read, by a fading lamp charged with the dregs of
the oil in his cruse, the poetry of Shelley. So reading, he, the latest
of his race, will not wholly be deprived of those sights which alone
(says the nameless Greek) make life worth enduring. In your verse he
will have sight of sky, and sea, and cloud, the gold of dawn and the
gloom of earthquake and eclipse. He will be face to face, in fancy, with
the great powers that are dead, sun, and ocean, and the illimitable azure
of the heavens. In Shelley’s poetry, while Man endures, all those will
survive; for your “voice is as the voice of winds and tides,” and perhaps
more deathless than all of these, and only perishable with the perishing
of the human spirit.
XVIII.
_To Monsieur de Molière_, _Valet de Chambre du Roi_.
MONSIEUR,—With what awe does a writer venture into the presence of the
great Molière! As a courtier in your time would scratch humbly (with his
comb!) at the door of the Grand Monarch, so I presume to draw near your
dwelling among the Immortals. You, like the king who, among all his
titles, has now none so proud as that of the friend of Molière—you found
your dominions small, humble, and distracted; you raised them to the
dignity of an empire: what Louis XIV. did for France you achieved for
French comedy; and the baton of Scapin still wields its sway though the
sword of Louis was broken at Blenheim. For the King the Pyrenees, or so
he fancied, ceased to exist; by a more magnificent conquest you overcame
the Channel. If England vanquished your country’s arms, it was through
you that France _ferum victorem cepit_, and restored the dynasty of
Comedy to the land whence she had been driven. Ever since Dryden
borrowed “L’Etourdi,” our tardy apish nation has lived (in matters
theatrical) on the spoils of the wits of France.
Public-domain text, read in full here on John Shaqi.
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