Letters to His Son, 1752: On the Fine Art of Becoming a Man of the World and a GentlemanChesterfield, Philip Dormer Stanhope, Earl of
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Letters to His Son, 1752: On the Fine Art of Becoming a Man of the World and a Gentleman
Chesterfield, Philip Dormer Stanhope, Earl of
Conduct of life
I have never read the "Lusiade of Camoens," except in prose translation,
consequently I have never read it at all, so shall say nothing of it; but
the Henriade is all sense from the beginning to the end, often adorned by
the justest and liveliest reflections, the most beautiful descriptions,
the noblest images, and the sublimest sentiments; not to mention the
harmony of the verse, in which Voltaire undoubtedly exceeds all the
French poets: should you insist upon an exception in favor of Racine, I
must insist, on my part, that he at least equals him. What hero ever
interested more than Henry the Fourth; who, according to the rules of
epic poetry, carries on one great and long action, and succeeds in it at
last? What descriptions ever excited more horror than those, first of the
Massacre, and then of the Famine at Paris? Was love ever painted with
more truth and 'morbidezza' than in the ninth book? Not better, in my
mind, even in the fourth of Virgil. Upon the whole, with all your
classical rigor, if you will but suppose St. Louis a god, a devil, or a
witch, and that he appears in person, and not in a dream, the Henriade
will be an epic poem, according to the strictest statute laws of the
'epopee'; but in my court of equity it is one as it is.
I could expatiate as much upon all his different works, but that I should
exceed the bounds of a letter and run into a dissertation. How delightful
is his history of that northern brute, the King of Sweden, for I cannot
call him a man; and I should be sorry to have him pass for a hero, out of
regard to those true heroes, such as Julius Caesar, Titus, Trajan, and
the present King of Prussia, who cultivated and encouraged arts and
sciences; whose animal courage was accompanied by the tender and social
sentiments of humanity; and who had more pleasure in improving, than in
destroying their fellow-creatures. What can be more touching, or more
interesting--what more nobly thought, or more happily expressed, than all
his dramatic pieces? What can be more clear and rational than all his
philosophical letters? and whatever was so graceful, and gentle, as all
his little poetical trifles? You are fortunately 'a porte' of verifying,
by your knowledge of the man, all that I have said of his works.
Monsieur de Maupertius (whom I hope you will get acquainted with) is,
what one rarely meets with, deep in philosophy and, mathematics, and yet
'honnete et aimable homme': Algarotti is young Fontenelle. Such men must
necessarily give you the desire of pleasing them; and if you can frequent
them, their acquaintance will furnish you the means of pleasing everybody
else.
'A propos' of pleasing, your pleasing Mrs. F-----d is expected here in
two or three days; I will do all that I can for you with her: I think you
carried on the romance to the third or fourth volume; I will continue it
to the eleventh; but as for the twelfth and last, you must come and
conclude it yourself. 'Non sum qualis eram'.
Public-domain text, read in full here on John Shaqi.
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