Lewis Arundel; Or, The Railroad Of LifeSmedley, Frank E. (Frank Edward)
General
Lewis Arundel; Or, The Railroad Of Life
Smedley, Frank E. (Frank Edward)
English fiction -- 19th century
Poor Lady Lombard, when once that defunct Dowager Marchioness was let
loose upon her, felt that her fate was sealed. It was not for her, the
widow of a man who had been knighted, to fly in the face of the peerage;
so she humbly authorised the removal of the Lombard arms, implored
Perquisite to arrange the rooms as she had been accustomed to set out
those of the poor dear Marchioness, and betook herself to the sanctity
of her own boudoir, leaving the field to the virago, to whom she paid
£60 per annum for keeping her in a continual state of moral bondage.
But while such scenes as the foregoing were enacting in the upper
portions of the establishment, the French _chef de cuisine_, Monsieur
Hector Achille Ulisse Abelard d’Haricots, was making a perfect
Pandemonium of the lower regions. The physical energy displayed by that
accomplished foreigner was truly admirable, his ubiquity was marvellous;
the tassel at the top of his white night-cap appeared to have been
multiplied infinitesimally and to pervade space, the sound of his
polyglot exhortations and reflections re-echoed through the lofty
servants’ offices. Wonderful were the strange oaths he poured forth,
when Antoine, a long, limp, shambling French lad, “_son élève_, zie son
of--_hélas! baigné des larmes_, he even till at present scarcely could
pronounce her name--his angelic sister, since some time entombed,
having espoused _un brave Anglais_, his long-lost Louise Amélie
Marie-Antoinette de Brownsmit, née d’Haricots,”--when this unworthy
offspring of international alliance committed some unpardonable artistic
error, and unlike “Polly” of lyrical celebrity, did _not_ “put the
kettle on,” or “take it off again,” exactly at the critical moment. Deep
and nasal were his ejaculations when some obtuse butcher’s boy would
not understand his “Anglishe,” which that somewhat apocryphal personage,
“_ce brave garçon_ Brownsmit” (who was Hector Achille’s Mrs. Harris,
and was consequently brought forward on all occasions), had declared he
spoke like a native.
“_Mais, que diable!_ vot is zies?” he would exclaim, raising his
eyeglass to examine with a face of deep disgust a shin of beef; “vot
is zies? Did I not ordaire _un gigot_, vot you call a leg of ship, and
’ere you ’ave transported to me--_ah, que c’est dégoutant!_--zie
stump of a cow: _qu’ils sont bêtes, ces Anglais_--takes ’im avay.”
Public-domain text, read in full here on John Shaqi.
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