Liége on the line of march : $b an American girl's experiences when the Germans came through BelgiumBigelow, Glenna Lindsley
History
Liége on the line of march : $b an American girl's experiences when the Germans came through Belgium
Bigelow, Glenna Lindsley
World War, 1914-1918 -- Personal narratives
The concierge gave me coffee and rolls and I dressed quickly in order
to get out into the street where I knew the dismal impression of the
indoors would be dispelled by the habitual smile of the enchanted city.
But the day was dull--the summit of the Eiffel Tower was hooded in a
cloud of fog and a cold blast swept over the Place de La Concorde which
froze me to the marrow. I kept on, however, somewhat protected by the
arcades of the rue de Rivoli, expecting to see, at least, familiar faces
in the shop-keepers of that gay, little Rialto--but the doors were all
closed and the blinds down. One place was open--the art shop of the
little, old, white-haired man with the twinkling eyes, who has sold me
marvellous Venus de Milos, etc., times without number. I greeted him
with real feeling and enthusiasm, for here was somebody I knew. He did
not recognize me and stared dully, without answering, as one who is
dazed; he was unshaven and dirty, his usually clear eye was lifeless and
his face was thin and drawn. Could it be that he had not enough to eat,
or was it despair? He must have had nephews and perhaps sons and
grandsons at the front. But do the people who stay at home change like
that? I went on--the Hotel Meurice was closed; the Continentale had a
section open for the Red Cross; the Bristol was closed; the Ritz was
made into an Ambulance; not a living soul on the Place Vendôme. All the
famous hat shops were closed--who would have a reason to buy hats? All
the big dressmakers were closed and every jewelry shop but two in all
that dazzling, brilliant rue de la Paix was closed. There were perhaps a
dozen people on the Boulevards, a single taxicab crawled listlessly out
of a side street, but not an omnibus to be seen. They, like all the
world, had left for the "front" and will go down in history as having
transferred the valiant French army in all haste to Victory on the
Battlefield of the Marne.
The only thing unchanged was the Opéra, which stood there, in all its
splendor, looking on at the grievous spectacle of Paris, in anguish.
Will she live? Can she die? Is the burden of her woes too great? O,
Beautiful City of Dreams! Some call you very wicked--you, whose brave
smile has endured through all your sorrows. Is that so little? And the
valor of your Sons--was it ever surpassed? Did one of the hundreds, one
of the thousands, one of the millions, hesitate the fraction of an
instant at your call?
O, Paris! Inimitable Paris! with the death shadow on your lovely
face....
Public-domain text, read in full here on John Shaqi.
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