Library Essays; Papers Related to the Work of Public LibrariesBostwick, Arthur E. (Arthur Elmore)
Science
Library Essays; Papers Related to the Work of Public Libraries
Bostwick, Arthur E. (Arthur Elmore)
Library science; Public libraries
This question comes up especially in connection with certain adjuncts to
a music collection--pianola rolls and phonograph records. These are both
of great aid in assisting the public to understand the language of
music, which they must do before they learn to read it. They may be
profitably used, of course in connection with reading, and yet the
pleasure of following a piano player or a phonograph with the printed
score seems to be known to few. Every library must judge for itself
whether it can afford to put money into these adjuncts but in most
cases it is unnecessary to do so, it being easy to get the rolls and
records by donation. In doing this at my own library I have been struck
with the trivial or so-called “popular” character of most of the rolls
received. I am told, also that those who borrow them (and they have gone
out “like hot cakes”) are largely persons who have not visited the
library before. I believe that this sort of music is popular not because
it is trivial or “trashy”, but because it is easy to understand. There
is some music that is both good and easy--easy to understand and easy to
read. Schumann’s Album for the young will occur to anyone. The
compositions of Ludwig Schytte are modern examples. But the general
impression that good music is difficult both to read and appreciate--is
“high-brow”, in fact; and that easy music is always trivial and poor, is
a deduction, I am afraid from experience. It is certainly not in the
nature of things. However, so long as we want easy music, both to hear
and to read, and a good deal of it is trashy, I can see nothing to do
but to use the trashy music. With the music rolls triviality is all we
have to object to--the ceaseless repetition of the same phrases and
harmonies. We must remember, however, that these are not boresome to the
beginner. It takes a good deal of repetition to make one tired of a
musical phrase. And there is absolutely no question of active badness
here--only of worthlessness.
When we come to phonograph records, however, we encounter something
different. So far as these are purely musical, what has been said of the
music rolls applies to them also, but many of them are vocal, and the
words are often far below library standard. When a record is rejected
for its words, the music, of course, must go with it, although as music
it may be quite unexceptionable.
Public-domain text, read in full here on John Shaqi.
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