Library Essays; Papers Related to the Work of Public LibrariesBostwick, Arthur E. (Arthur Elmore)
Science
Library Essays; Papers Related to the Work of Public Libraries
Bostwick, Arthur E. (Arthur Elmore)
Library science; Public libraries
Another point of resemblance between this kind of library material and
that utilized by museums is the fact that its value is so often a
group-value--possessed by the combination of objects of a certain kind,
rather than by any one in itself. For instance, a common earthenware jar
designed by John Jones in the Trenton potteries may have little value,
but if you add to it a thousand other earthenware jars, or a thousand
pieces of any kind designed by John Jones, or a thousand other specimens
made in Trenton, the collection acquires a value which far exceeds the
average value of its elements multiplied by thousands. The former may be
five cents--the latter five thousand dollars. In the same way an
illustration by Mary Smith, clipped from a trashy story in a ten-cent
magazine, has little value--zero value, perhaps. But a thousand such
illustrations showing the published work of Mary Smith from the time she
began until she acquired standing as an illustrator, is worth while.
It should not be necessary to tell librarians that the best way to make
such a collection as this is not to search for each element by itself
but to gather miscellaneous related material in quantity and then sort
it. If you have a pile of slips to alphabetize, you do not go through
the whole mass to pick out the A’s, and then again for the B’s and so
on. You sort the whole mass at once, so that while you are segregating
the A’s you are at the same time collecting the B’s and all the rest of
the alphabet. Likewise, if you want the illustration work of Jessie
Wilcox Smith, for instance, you need not hunt separately for bits from
her pen; you need only clip all the illustrations from magazines and
papers that would be otherwise discarded. Then you sort these by the
names of the illustrators, and you have at once collections not only of
Miss Smith’s current work but of that of dozens of other illustrators.
This is applicable in a hundred other fields.
It should be noted that this group value is potentially present in many
large collections of material, whether classified or not into the
particular groups in question. For instance, we have a large collection
of locality post-cards, filed by cities and towns. Here are groups ready
for use. If anyone wants views of Cedar Rapids, Iowa, or Stockton,
Cal., to show to a class, or for use with a reflectograph, or to copy
for newspaper work, they are already assembled. But also if someone is
going to lecture on court houses, it is the work of only a few moments
to assemble from the file a temporary collection of fifty or sixty
examples. The same is true of buildings of any other type, say college
dormitories, railway stations, libraries or warehouses, of parks,
mountain scenery and industrial processes and of a hundred other things.
The value here is a true group value; it is created by assemblage and
becomes dormant again when the items are distributed to their proper
places in the file.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account