"Vast objects of remote altitude," says Landor, "must be looked at a
long while before they are ascertained. Ages are the telescope tubes
that must be lengthened out for Shakespeare; and generations of men
serve but as single witnesses to his claims." "Shakespeare," said
Coleridge, "is of no age--nor, I may add, of any religion, or party, or
profession. The body and substance of his works came out of the
unfathomable depths of his own oceanic mind; his observation and reading
supplied him with the drapery of his figures." "The sand heaped by one
flood," says Dr. Johnson, "is scattered by another; but the rock always
continues in its place. The stream of time, which is continually washing
the dissoluble fabrics of other poets, passes without injury by the
adamant of Shakespeare." "Milton is not," says De Quincey, "an author
amongst authors, not a poet amongst poets, but a power amongst powers;
and the Paradise Lost is not a book amongst books, not a poem amongst
poems, but a central force amongst forces." Landor, in his Imaginary
Conversations, makes Marvell thus to address Marten: "Hast thou not sat
convivially with Oliver Cromwell? Hast thou not conversed familiarly
with the only man greater than he, John Milton? One was ambitious of
perishable power, the other of imperishable glory; both have attained
their aim." Hazlitt and Coleridge being together, some comparison was
introduced between Shakespeare and Milton. Coleridge said "he hardly
knew which to prefer. Shakespeare seemed to him a mere stripling in the
art; he was as tall and as strong, with infinitely more activity than
Milton, but he never appeared to have come to man's estate; or if he
had, he would not have been a man, but a monster." "A rib of
Shakespeare," said Landor, "would have made a Milton; the same portion
of Milton, all poets born ever since." Said Goethe, "Would you see
Shakespeare's intellect unfettered, read Troilus and Cressida, and see
how he uses the materials of the Iliad in his fashion." Said Coleridge,
"Compare Nestor, Ajax, Achilles, etc., in the Troilus and Cressida of
Shakespeare, with their namesakes in the Iliad. The old heroes seem all
to have been at school ever since." "It was really Voltaire," said
Goethe, "who excited such minds as Diderot, D'Alembert, and
Beaumarchais; for to be somewhat near him a man needed to be much, and
could take no holidays." "To have seen such a man as Dr. Johnson," said
Dr. Campbell, "was a thing to talk of a century hence." "Nature," said
Heine, "wanted to see how she looked, and she created Goethe." "Were
Byron now alive, and Burns," said Hawthorne, "the first would come from
his ancestral abbey, flinging aside, although unwillingly, the inherited
honors of a thousand years, to take the arm of the mighty peasant who
grew immortal while he stooped behind his plow."
Public-domain text, read in full here on John Shaqi.
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