No doubt the most genuine and grateful rewards which authors have
received were those which came to them as surprises, or in overheard
responses, unbidden and natural, from the common heart of humanity. Mrs.
Broderip reports of her father's pleasure in the immense popularity of
his Song of the Shirt, that "what delighted and yet touched him most
deeply was, that the poor creatures to whose sorrows and sufferings he
had given such eloquent voice, seemed to adopt its words as their own,
by singing them about the streets to a rude air of their own
adaptation." Bernard Barton ends a letter descriptive of an endearing
girl's village funeral, with telling how "the clergyman, at the close of
the service, stated that, by her wish, a little hymn, which was a great
favorite with her, would be sung beside her open grave, by the
school-children--some five-and-twenty little things--whose eyes and
cheeks were red with crying. 'I thought they could never have found
tongues, poor things; but once set off, they sang like a little band of
cherubs. What added to the effect of it, to me, was that it was a little
almost forgotten hymn of my own, written years ago, which no one
present, but myself, was at all aware of.'" Goldsmith, in his college
career, wrote street ballads, to save himself from starving, sold them
for five shillings apiece, and stole out of college at night to hear
them sung. "Happy night to him, worth all the dreary days!" exclaims his
biographer, Forster. "Hidden by some dusky wall, or creeping within
darkling shadows of the ill-lighted streets, this poor, neglected sizer
watched, waited, lingered there, for the only effort of his life which
had not wholly failed. Few and dull, perhaps, the beggar's audience at
first, but more thronging, eager, and delighted, as he shouted forth his
newly-gotten ware. Cracked enough, I doubt not, were those
ballad-singing tones; very harsh, extremely discordant, and passing from
loud to low without meaning or melody; but not the less did the sweetest
music which this earth affords fall with them on the ear of Goldsmith."
VI.
LIMITS.
Public-domain text, read in full here on John Shaqi.
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