It is reported of Scaramouche, the first famous Italian comedian, that
being in Paris, and in great want, he bethought himself of constantly
plying near the door of a noted perfumer in that city, and when any one
came out who had been buying snuff, never failed to desire a taste of
them: when he had by this means got together a quantity made up of
several different sorts, he sold it again at a lower rate to the same
perfumer, who, finding out the trick, called it "snuff of a thousand
flowers." The story further tells us that by this means he got a very
comfortable subsistence, until, making too great haste to grow rich, he
one day took such an unreasonable pinch out of the box of a Swiss
officer as engaged him in a quarrel, and obliged him to quit this
ingenious way of life.
"I remember," says Cumberland, in his Memoirs, "the predicament of an
ingenious mechanic and artist, who, when Rich the harlequin was the
great dramatic author of his time, and wrote successfully for the stage,
contrived and executed a most delicious serpent for one of those
inimitable productions, in which Mr. Rich, justly disdaining the weak
aid of language, had selected the classical fable, if I rightly
recollect, of Orpheus and Eurydice, and, having conceived a very capital
part for the serpent, was justly anxious to provide himself with a
performer who could support a character of that consequence with credit
to himself and his author. The event answered his most ardent hopes:
nothing could be more perfect than his entrances and exits; nothing ever
crawled across the stage with more accomplished sinuosity than this
enchanting serpent; every one was charmed with its performance; it
twirled and twisted, and wriggled itself about in so divine a manner,
that the whole world was ravished by the lovely snake; nobles and
non-nobles, rich and poor, old and young, reps and demi-reps, flocked to
see it and admire it. The artist, who had been the master of the
movement, was intoxicated with his success; he turned his hand and head
to nothing else but serpents; he made them of all sizes; they crawled
about his shop as if he had been chief snake-catcher to the furies; the
public curiosity was satisfied with one serpent, and he had nests of
them yet unsold; his stock lay dead upon his hands, his trade was lost,
and the man was ruined, bankrupt, and undone."
Lecky observes that when, after long years of obstinate disbelief, the
reality of the great discovery of Harvey dawned upon the medical world,
the first result was a school of medicine which regarded man simply as
an hydraulic machine, and found the principle of every malady in
imperfections of circulation.
Public-domain text, read in full here on John Shaqi.
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