A clergyman's widow of eighty, the mother of the first Sir David
Dundas--at one time commander-in-chief of the British army--is thus
described by Cockburn: "We used to go to her house in Bunker's Hill,
[Edinburgh] when boys, on Sundays, between the morning and afternoon
sermons, where we were cherished with Scotch broth and cakes, and many a
joke from the old lady. Age had made her incapable of walking, even
across the room; so, clad in a plain black-silk gown, and a pure muslin
cap, she sat half-encircled by a high-backed, black leather chair,
reading, with silver spectacles stuck on her thin nose, and
interspersing her studies and her days with much laughter, and not a
little sarcasm. What a spirit! There was more fun and sense round that
chair than in the theatre or the church. I remember one of her
grand-daughters stumbling, in the course of reading the newspapers to
her, on a paragraph which stated that a lady's reputation had suffered
from some indiscreet talk on the part of the Prince of Wales. Up she of
fourscore sat, and said with an indignant shake of her shriveled fist
and a keen voice,--'The dawmed villain! does he kiss and tell!'"
In the Barberini palace is the celebrated portrait of Beatrice Cenci, by
Guido. The melancholy and strange history of this beautiful girl has
been told in a variety of ways, and is probably familiar to every
reader. Guido saw her on her way to execution, and has painted her as
she was dressed, in the gray habit and head-dress, made by her own
hands, and finished but an hour before she put it on. "There are
engravings and copies of the picture all over the world, but none that I
have seen," said Willis, "give any idea of the excessive gentleness, and
serenity of the countenance. The eyes retain traces of weeping, the
child-like mouth, the soft, girlish lines of features that look as if
they had never worn more than the one expression of youthfulness and
affection, are all in repose, and the head is turned over the shoulder
with as simple a sweetness as if she had but looked back to say a
good-night before going to her chamber to sleep. She little looks like
what she was--one of the firmest and boldest spirits whose history is
recorded. After murdering her father for his fiendish attempts upon her
virtue, she endured every torture rather than disgrace her family by
confession, and was only moved from her constancy, at last, by the
agonies of her younger brother on the rack. Who would read capabilities
like these, in those heavenly and child-like features?"
Public-domain text, read in full here on John Shaqi.
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