Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Again, Whitman was always hopeful. Like Emerson, he renounced all
allegiance to the past, and looked confidently to the future. And this
reminds us that Emerson wrote the introductory to the first edition
of “Leaves of Grass,” which suggests that that writer may have exerted
no small influence in forming Whitman’s style, for the vagueness of
his figures, his disconnected sentences, and occasionally his verbiage,
are not unlike those of the “Concord Prophet.” Again, the question
arises, did he not seek, like Emerson, to be the founder of a school
of authorship? His friendliness toward young authors and his treatment
of them indicate this, and the following he has raised up attests the
success he attained, whether sought or unsought. But the old adage,
“like king like people,” has a deal of truth in it; and as Whitman
was inferior to Emerson in the exaltation of his ideals, and the
unselfishness and sincerity of his nature, so his followers must fall
short of the accomplishments of those who sat at the feet of “the good
and great Emerson.”
Walt Whitman was born at West Hills, Long Island, May 31, 1819,
and was educated at the public schools of Brooklyn and New York.
Subsequently he followed various occupations, among which were those
of printer, teacher, carpenter, journalist, making in the meantime
extended tours in Canada and the United States. During the Civil War
he served as a volunteer nurse in the army hospitals, and at the close
was appointed as government clerk at Washington. In 1873 he had a
severe paralytic attack, which was followed by others, and he took
up his residence in Camden, New Jersey, where he died in 1892. He was
never married.
Mr. Whitman’s principal publications are “Leaves of Grass,” issued
first in 1855, but he continued to add to and revise it, the “finished
edition,” as he called it, appearing in 1881. Succeeding this came
“Drum Taps,” “Two Rivulets,” “Specimen Days and Collect,” “November
Boughs,” “Sands at Seventy.” “Democratic Vista” was a prose work
appearing in 1870. “Good-Bye, My Fancy,” was his last book, prepared
between 1890 and his death. His complete poems and prose have also
been collected in one volume.
Two recent biographies of the poet have been published: one by John
Burroughs, entitled “Walt Whitman, a Study;” the other, “Walt Whitman,
the Man,” by Thomas Donaldson. The titles indicate the difference in
the two treatments. Both biographers are great admirers of Whitman.
* * * * *
DAREST THOU NOW, O SOUL.
The following poems are from “Leaves of Grass” and are
published by special permission of Mr. Horace L. Trauble,
Mr. Whitman’s literary executor.
DAREST thou now, O soul,
Walk out with me toward the unknown region,
Where neither ground is for the feet nor any path to follow?
Public-domain text, read in full here on John Shaqi.
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