Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Have you outstript the rest? are you the President?
It is a trifle, they will more than arrive there everyone, and
still pass on.
I am he that walks with the tender and growing night,
I call to the earth and sea, half-held by the night.
Press close bare-blossom’d night――press close magnetic
nourishing night!
Night of the South winds――night of the large few stars!
Still nodding night――mad naked summer night.
Smile, O voluptuous cool-breath’d earth!
Earth of the slumbering and liquid trees!
Earth of the departed sunset――earth of the mountain misty-topt!
Earth of the vitreous pour of the full moon just tinged with
blue!
Earth of the shine and dark mottling the tide of the river!
Earth of the limpid gray of clouds brighter and clearer for my
sake!
Far-swooping elbow’d earth――rich apple-blossom’d earth!
Smile, for your lover comes.
Prodigal, you have given me love――therefore I to you give love!
O unspeakable, passionate love.
* * * * *
OLD IRELAND.
FAR hence amid an isle of wondrous beauty,
Crouching over a grave an ancient sorrowful mother,
Once a queen, now lean and tatter’d seated on the ground,
Her old white hair drooping dishevel’d round her shoulders,
At her feet fallen an unused royal harp,
Long silent, she too long silent, mourning her shrouded hope
and heir,
Of all the earth her heart most full of sorrow because most
full of love.
Yet a word, ancient mother,
You need crouch there no longer on the cold ground with
forehead between your knees;
O you need not sit there veil’d in your old white hair so
dishevel’d,
For know you the one you mourn is not in that grave;
It was an illusion, the son you love was not really dead;
The Lord is not dead, he is risen again, young and strong,
in another country,
Even while you wept there by your fallen harp by the grave,
What you wept for was translated, pass’d from the grave;
The winds favor’d and the sea sail’d it;
And now, with rosy and new blood,
Moves to-day in a new country.
* * * * *
PÆAN OF JOY.
FROM “THE MYSTIC TRUMPETER.”
Reference has been made to the similarity in style manifested
in some of Whitman’s poems to the style of the Psalmist.
Certain parts of the two selections following justify the
criticism.
NOW trumpeter for thy close,
Vouchsafe a higher strain than any yet,
Sing to my soul, renew its languishing faith and hope,
Rouse up my slow belief, give me some vision of the future,
Give me for once its prophecy and joy.
Public-domain text, read in full here on John Shaqi.
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