Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
The poet has never married. He makes his home in Indianapolis, Indiana,
with his sister, where his surroundings are of the most pleasant
nature; and he is scarcely less a favorite with the children of the
neighborhood than was the renowned child poet, Eugene Field, at his
home. The devotion of Mr. Riley to his aged parents, whose last days
he made the happiest and brightest of their lives, has been repeatedly
commented upon in the current notices of the poet. Mr. Riley has
personally met more of the American people, perhaps, than any other
living poet. He is constantly “on the wing.” For about eight months
out of every twelve for the past several years he has been on the
lecture platform, and there are few of the more intelligent class
of people in the leading cities of America, who have not availed
themselves, at one time or another, to the treat of listening to
his inimitable recitation of his poems. His short vacation in the
summer――“his loafing days,” as he calls them――are spent with his
relatives, and it is on these occasions that the genial poet is found
at his best.
* * * * *
A BOY’S MOTHER.¹
FROM “POEMS HERE AT HOME.”
MY mother she’s so good to me,
Ef I wuz good as I could be,
I couldn’t be as good――no, _sir_!――
Can’t _any_ boy be good as _her_!
She loves me when I’m glad er sad;
She loves me when I’m good er bad;
An’, what’s a funniest thing, she says
She loves me when she punishes.
I don’t like her to punish me.――
_That_ don’t hurt,――but it hurts to see
Her cryin’.――Nen I cry; an’ nen
We _both_ cry an’ be good again.
She loves me when she cuts an’ sews
My little cloak an’ Sund’y clothes;
An’ when my Pa comes home to tea,
She loves him most as much as me.
She laughs an’ tells him all I said,
An’ grabs me an’ pats my head;
An’ I hug her, an’ hug my Pa,
An’ love him purt’-nigh much as Ma.
¹ By Permission of the Century Co.
* * * * *
THOUGHTS ON THE LATE WAR.¹
FROM “POEMS HERE AT HOME.”
I WAS for Union――you, ag’in’ it.
’Pears like, to me, each side was winner,
Lookin’ at now and all ’at ’s in it.
Le’ ’s go to dinner.
Le’ ’s kind o’ jes’ set down together
And do some pardnership forgittin’――
Talk, say, for instance, ’bout the weather,
Or somepin’ fittin’.
The war, you know, ’s all done and ended,
And ain’t changed no p’ints o’ the compass;
Both North and South the health’s jes’ splendid
As ’fore the rumpus.
The old farms and the old plantations
Still ockipies the’r old positions.
Le’ ’s git back to old situations
And old ambitions.
Public-domain text, read in full here on John Shaqi.
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