Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
In 1864 Mr. Harte was appointed Secretary of the United States Branch
Mint at San Francisco, and during his six years of service in this
position found leisure to write some of his popular poems, such as
“John Burns, of Gettysburg,” “How Are You, Sanitary?” and others,
which were generally printed in the daily newspapers. He also became
editor of the “Overland Monthly” when it was founded in 1868, and
soon made this magazine as great a favorite on the Atlantic as on
the Pacific Coast, by his contribution to its columns of a series
of sketches of California life which have won a permanent place in
literature. Among these sketches are “The Luck of Roaring Camp,”
telling how a baby came to rule the hearts of a rough, dissolute
gang of miners. It is said that this masterpiece, however, narrowly
escaped the waste-basket at the hands of the proofreader, a woman, who,
without noticing its origin, regarded it as utter trash. “The Outcast
of Poker Flat,” “Miggles,” “Tennessee’s Partner,” “An Idyl of Red
Gulch,” and many other stories which revealed the spark of humanity
remaining in brutalized men and women, followed in rapid succession.
Bret Harte was a man of the most humane nature, and sympathized deeply
with the Indian and the Chinaman in the rough treatment they received
at the hands of the early settlers, and his literature, no doubt, did
much to soften and mollify the actions of those who read them――and it
may be safely said that almost every one did, as he was about the only
author at that time on the Pacific Slope and very popular. His poem,
“The Heathen Chinee,” generally called “Plain Language from Truthful
James,” was a masterly satire against the hue and cry that the Chinese
were shiftless and weak-minded settlers. This poem appeared in 1870
and was wonderfully popular.
In the spring of 1871 the professorship of recent literature in the
University of California was offered to Mr. Harte, on his resignation
of the editorship of the “Overland Monthly,” but he declined the
proffer to try his literary fortunes in the more cultured East. He
endeavored to found a magazine in Chicago, but his efforts failed,
and he went to Boston to accept a position on the “Atlantic Monthly,”
since which time his pen has been constantly employed by an increasing
demand from various magazines and literary journals. Mr. Harte has
issued many volumes of prose and poetry, and it is difficult to say
in which field he has won greater distinction. Both as a prose writer
and as a poet he has treated similar subjects with equal facility. His
reputation was made, and his claim to fame rests upon his intuitive
insight into the heart of our common humanity. A number of his
sketches have been translated into French and German, and of late
years he has lived much abroad, where he is, if any difference, more
lionized than he was in his native country.
Public-domain text, read in full here on John Shaqi.
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