Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Will Carleton was born in Hudson, Michigan, October 21, 1845. His
father was a pioneer settler who came from New Hampshire. Young
Carleton remained at home on the farm until he was sixteen years of
age, attending the district school in the winters and working on the
farm during the summers. At the age of sixteen he became a teacher in
a country school and for the next four years divided his time between
teaching, attending school and working as a farm-hand, during which
time he also contributed articles in both prose and verse to local
papers. In 1865 he entered Hillsdale College, Michigan, from which
he graduated in 1869. Since 1870 he has been engaged in journalistic
and literary work and has also lectured frequently in the West. It was
during his early experiences as a teacher in “boarding round” that he
doubtless gathered the incidents which are so graphically detailed in
his poems.
There is a homely pathos seldom equalled in the two selections “Betsy
and I Are Out” and “How Betsy and I Made Up” that have gained for them
a permanent place in the affections of the reading public. In other
of his poems, like “Makin’ an Editor Outen Him,” “A Lightning Rod
Dispenser,” “The Christmas Baby,” etc., there is a rich vein of humor
that has given them an enduring popularity. “The First Settler’s
Story” is a most graphic picture of pioneer life, portraying the
hardships which early settlers frequently endured and in which the
depressing homesickness often felt for the scenes of their childhood
and the far-away East is pathetically told.
Mr. Carleton’s first volume of poems appeared in 1871, and was
printed for private distribution. “Betsy and I Are Out” appeared
in 1872 in the “Toledo Blade.” It was copied in “Harper’s Weekly,”
and illustrated. This was really the author’s first recognition in
literary circles. In 1873 appeared a collection of his poems entitled
“Farm Ballads,” including the now famous selections, “Out of the
Old House, Nancy,” “Over the Hills to the Poorhouse,” “Gone With
a Handsomer Man,” and “How Betsy and I Made Up.” Other well-known
volumes by the same author are entitled “Farm Legends,” “Young Folk’s
Centennial Rhymes,” “Farm Festivals,” and “City Ballads.”
In his preface to the first volume of his poems Mr. Carleton modestly
apologizes for whatever imperfections they may possess in a manner
which gives us some insight into his literary methods. “These poems,”
he writes, “have been written under various, and in some cases
difficult, conditions: in the open air, with team afield; in the
student’s den, with ghosts of unfinished lessons hovering gloomily
about; amid the rush and roar of railroad travel, which trains of
thought are not prone to follow; and in the editor’s sanctum, where
the dainty feet of the muses do not often deign to tread.”
Public-domain text, read in full here on John Shaqi.
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