Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Right in the path and within ten feet of a snow bank that has not
perished for a thousand years, I picked and ate a little strawberry,
and as I rested and roamed about a bit, looking down into the brightly
blue lake that made the head waters of the Yukon, I gathered a little
sun flower, a wild hyacinth and a wild tea blossom for my buttonhole.
OUR MOST NOTED NOVELISTS.
Illustration: (‡ decoration)
JAMES FENIMORE COOPER.
THE WALTER SCOTT OF AMERICA.
OUR first American novelist, and to the present time perhaps the
only American novelist whose fame is permanently established among
foreigners, is James Fenimore Cooper. While Washington Irving, our
first writer of short stories, several years Cooper’s senior, was
so strikingly popular in England and America, Cooper’s “Spy” and
“Pilot” and the “Last of the Mohicans” went beyond the bounds of the
English language, and the Spaniard, the Frenchman, the German, the
Italian and others had placed him beside their own classics and were
dividing honors between him and Sir Walter Scott; and it was they who
first called him the Walter Scott of America. Nor was this judgment
altogether wrong. For six or seven years Scott’s Waverly Novels
had been appearing, and his “Ivanhoe,” which was first published in
1820――the first historical novel of the world――had given the clue to
Cooper for “The Spy,” which appeared in 1821, the first historical
novel of America. Both books were translated into foreign languages by
the same translators, and made for their respective authors quick and
lasting fame.
James Fenimore Cooper was born in Burlington, New Jersey, September 15,
1789――the same year that George Washington was inaugurated President
of the United States. His father owned many thousand acres of wild
land on the head waters of the Susquehanna River in New York, and
while James was an infant removed thither and built a stately mansion
on Otsego Lake, near the point where the little river issues forth
on its journey to the sea. Around Otsego Hall, as it was called,
the village of Cooperstown grew up. In this wilderness young Cooper
passed his childhood, a hundred miles beyond the advancing lines
of civilization. Along the shores of the beautiful lake, shut in by
untouched forests, or in the woods themselves, which rose and fell
unbroken――except here and there by a pioneer’s hut or a trapper’s
camp――he passed his boyhood days and slept at night among the solemn
silence of nature’s primeval grandeur. All the delicate arts of the
forest, the craft of the woodsman, the trick of the trapper, the
stratagem of the Indian fighter, the wiley shrewdness of the tawny
savage, the hardships and dangers of pioneer life were as familiar to
Cooper as were the legends of North Britain and the stirring ballads
of the highlands and the lowlands to Walter Scott. But for this
experience we should never have had the famous Leather Stocking Tales.
Public-domain text, read in full here on John Shaqi.
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