Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Hawthorne received his early education in Salem, partly at the school
of Joseph E. Worcester, the author of “Worcester’s Dictionary.” He
entered Bowdoin College in 1821. The poet, Longfellow, and John S. C.
Abbott were his classmates; and Franklin Pierce――one class in advance
of him――was his close friend. He graduated in 1825 without any special
distinction. His first book, “Fanshawe,” a novel, was issued in 1826,
but so poor was its success that he suppressed its further publication.
Subsequently he placed the manuscript of a collection of stories in
the hands of his publisher, but timidly withdrew and destroyed them.
His first practical encouragement was received from Samuel G. Goodrich,
who published four stories in the “Token,” one of the annuals of
that time, in 1831. Mr. Goodrich also engaged Hawthorne as editor
of the “American Magazine of Useful and Entertaining Knowledge,”
which position he occupied from 1836 to 1838. About this time he also
contributed some of his best stories to the “New England Magazine,”
“The Knickerbocker,” and the “Democratic Review.” It was a part of
these magazine stories which he collected and published in 1837 in
the volume entitled, “Twice Told Tales,” embodying the fruits of his
twelve years’ labor.
This book stamped the author as a man of stronger imagination and
deeper insight into human nature than Washington Irving evinced in
his famous sketches of the Hudson or Cooper in his frontier stories,
for delightful as was Irving’s writings and vivid as were Cooper’s
pictures, it was plain to be seen that Hawthorne had a richer
style and a firmer grasp of the art of fiction than either of them.
Longfellow, the poet, reviewed the book with hearty commendation, and
Poe predicted a brilliant future for the writer if he would abandon
allegory. Thus encouraged, Hawthorne came out from his seclusion into
the world again, and mixed once more with his fellow-men. His friend,
the historian, Bancroft, secured him a position in the Custom House
at Salem, in 1839, which he held for two years. This position he
lost through political jobbery on a trumped-up charge. For a few
months he then joined in the Brook Farm settlement, though he was
never in sympathy with the movement; nor was he a believer in the
transcendental notions of Emerson and his school. He remained a
staunch Democrat in the midst of the Abolitionists. His note-books
were full of his discontent with the life at the Brook Farm. His
observations of this enterprise took shape in the “Blythedale Romance”
which is the only literary memorial of the association. The heroine of
this novel was Margaret Fuller, under the name of “Zenobia,” and the
description of the drowning of Zenobia――a fate which Margaret Fuller
had met――is the most tragic passage in all the writings of the author.
Public-domain text, read in full here on John Shaqi.
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