Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
ANDREW Lang has pronounced Marion Crawford “the most versatile of
modern novelists.” It may also be truly said that he is the most
cosmopolitan of all our American authors. One feels after reading his
stories of life and society in India, Italy, England and America that
the author does not belong anywhere in particular, but is rather a
citizen of the world in general.
He drew from nearly every country of culture for his education, and
the result is clearly apparent in his voluminous and varied works.
He is one of the rare and favored few who have stumbled almost by
accident upon fame and who have increased their early fame by later
labors.
Marion Crawford was born in Italy in 1854. His father was a native
of Ireland, a sculptor of repute, and his mother was an American, a
sister of Julia Ward Howe. His father died when he was three years old,
and he was put with relatives on a farm in Bordentown, N. J., where
he had a French governess. At a suitable age he was sent to St. Paul’s
School in New Hampshire, and later he studied with a country clergyman
in England. He entered Trinity College, Cambridge, where he showed an
aptitude for mathematics.
After studying in the Universities of Heidelberg, Carlesruhe and Rome,
he went to India to make a thorough study of Sanscrit. Here his funds
gave out and left him nearly stranded with no prospects of improvement.
Just as he was on the point of joining the Anglo-Indian army, he
was offered the position of editor on the “Allahabad Herald,” in an
unhealthy town a thousand miles from Bombay. The work was extremely
difficult and absorbing for one who had never had previous connection
with a newspaper, requiring sixteen hours of daily work in a climate
of excessive heat.
After resigning this position he returned to Italy and took passage
on a “tramp” steamer for America. He was wrecked, after a six
weeks’ voyage, and thrown on the coast of Bermuda. With these varied
experiences he had stored up in a fertile memory material for his
numerous novels. It was his first intention to continue his Sanscrit
studies at Harvard, but a circumstance of the simplest nature revealed
to him and to the world his remarkable powers as a story-teller.
He has himself told how he came to write “Mr. Isaacs,” his first novel.
Public-domain text, read in full here on John Shaqi.
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