Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
The home of this author, near Boston, is said to be an ideal one,
presided over by a most amiable wife, who is in hearty sympathy
with her literary husband, both in his ideals and in his work. They
have several bright children, and their home has been pointed out
by reviewers as a remarkably happy one, constituting within itself
something of a miniature illustration of the ideal community which his
theory portrays, if, indeed, it may not be said to heartily advocate.
* * * * *
MUSIC IN THE YEAR 2000.
(FROM “LOOKING BACKWARD.”)
_By Permission of Messrs. Houghton, Mifflin & Co._
WHEN we arrived home, Dr. Leete had not yet returned, and Mrs. Leete
was not visible. “Are you fond of music, Mr. West?” Edith asked.
I assured her that it was half of life, according to my notion. “I
ought to apologize for inquiring,” she said. “It is not a question we
ask one another nowadays; but I have read that in your day, even among
the cultured class, there were some who did not care for music.”
“You must remember, in excuse,” I said, “that we had some rather
absurd kinds of music.”
“Yes,” she said, “I know that; I am afraid I should not have fancied
it all myself. Would you like to hear some of ours now, Mr. West?”
“Nothing would delight me so much as to listen to you,” I said.
“To me!” she exclaimed, laughing. “Did you think I was going to play
or sing to you?”
“I hoped so, certainly,” I replied.
Seeing that I was a little abashed, she subdued her merriment and
explained. “Of course, we all sing nowadays as a matter of course
in the training of the voice, and some learn to play instruments for
their private amusement; but the professional music is so much grander
and more perfect than any performance of ours, and so easily commanded
when we wish to hear it, that we don’t think of calling our singing or
playing music at all. All the really fine singers and players are in
the musical service, and the rest of us hold our peace for the main
part. But would you really like to hear some music?”
I assured her once more that I would.
“Come, then, into the music-room,” she said, and I followed her into
an apartment finished, without hangings, in wood, with a floor of
polished wood. I was prepared for new devices in musical instruments,
but I saw nothing in the room which by any stretch of imagination
could be conceived as such. It was evident that my puzzled appearance
was affording intense amusement to Edith.
“Please look at to-day’s music,” she said, handing me a card, “and
tell me what you would prefer. It is now five o’clock, you will
remember.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account