Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
choice, not only between instrumental and vocal, and between different
sorts of instruments; but also between different motives from grave to
gay, so that all tastes and moods can be suited.”
Illustration: (‡ decoration)
Illustration: (‡ decoration)
GEORGE W. CABLE.
“THE DEPICTOR OF CREOLE LIFE IN THE SOUTH.”
IT is said “Circumstances make the man;” and, again, “Seeming
misfortunes are often blessings in disguise.” Whether this is
generally true or not, at least in the case of George W. Cable, it
has so turned out; for it was poverty and necessity that drove him
through a vicissitude of circumstances which stored his mind with
observations and facts that enabled him to open a new field of fiction,
introducing to the outside world a phase of American life hitherto
unsuspected save by those who have seen it. His rendering of the
Creole dialect with its French and Spanish variations and mixtures is
full of originality. He has depicted the social life of the Louisiana
lowlands, with its Creole and negro population, so vividly that many
whose portraits he has drawn have taken serious offence at his books.
But it is no doubt _the truth that hurts_, and if so, it should be
borne for the sake of history, and it is to the credit of Mr. Cable’s
integrity as an author that he has not sacrificed the truth to please
his friends. His books have also been the means of effecting wholesome
changes in the contract system of convict labor in several Southern
States.
George W. Cable was born October 12, 1844, in New Orleans, Louisiana.
His father was a Virginian and his mother a New Englander. They
removed to New Orleans in 1837. In 1859 Mr. Cable failed in business
and died soon after, leaving the family in a straightened condition,
and the son――then fifteen years of age――was compelled to leave school
and take a clerkship in a store. This he retained until, at the age
of nineteen, he volunteered in the service of the Confederate Army,
joining the Fourth Mississippi Cavalry, and followed the fortunes
of the Southern cause until it was lost. He was said to have been a
gallant soldier, was once wounded and narrowly escaped with his life.
All his spare moments in camp were given to study.
After the surrender of General Lee, Cable――a young man of
twenty-one――returned to New Orleans, penniless, and took employment
as an errand boy in a store. From there he drifted to Kosciusko,
Mississippi, where he studied civil engineering, and joined a
surveying party on bayous Têche and Atchafalaya――the native heath
of the Creole――and it was here that his keen observation gathered
the material which has since done him so much service.
Public-domain text, read in full here on John Shaqi.
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