Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
THE main road to wealth in New Orleans has long been Carondelet Street.
There you see the most alert faces; noses――it seems to one――with
more and sharper edge, and eyes smaller and brighter and with less
distance between them than one notices in other streets. It is there
that the stock and bond brokers hurry to and fro and run together
promiscuously――the cunning and the simple, the headlong and the
wary――at the four clanging strokes of the Stock Exchange gong. There
rises the tall façade of the Cotton Exchange. Looking in from the
sidewalk as you pass, you see its main hall, thronged but decorous,
the quiet engine-room of the surrounding city’s most far-reaching
occupation, and at the hall’s farther end you descry the “Future
Room,” and hear the unearthly ramping and bellowing of the bulls and
bears. Up and down the street, on either hand, are the ship-brokers
and insurers, and in the upper stories foreign consuls among a
multitude of lawyers and notaries.
In 1856 this street was just assuming its present character. The
cotton merchants were making it their favorite place of commercial
domicile. The open thoroughfare served in lieu of the present
exchanges; men made fortunes standing on the curbstone, and during
bank hours the sidewalks were perpetually crowded with cotton factors,
buyers, brokers, weighers, reweighers, classers, pickers, pressers,
and samplers, and the air was laden with cotton quotations and
prognostications.
Number 3½, second floor, front, was the office of Dr. Sevier. This
office was convenient to everything. Immediately under its windows lay
the sidewalks where congregated the men who, of all in New Orleans,
could best afford to pay for being sick, and least desired to die.
Canal Street, the city’s leading artery, was just below, at the near
left-hand corner. Beyond it lay the older town, not yet impoverished
in those days,――the French quarter. A single square and a half off
at the right, and in plain view from the front windows, shone the
dazzling white walls of the St. Charles Hotel, where the nabobs of
the river plantations came and dwelt with their fair-handed wives
in seasons of peculiar anticipation, when it is well to be near the
highest medical skill. In the opposite direction a three minutes’
quick drive around the upper corner and down Common Street carried the
Doctor to his ward in the great Charity Hospital, and to the school of
medicine, where he filled the chair set apart to the holy ailments of
maternity. Thus, as it were, he laid his left hand on the rich and his
right on the poor; and he was not left-handed.
Public-domain text, read in full here on John Shaqi.
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