Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“Don’t you see how much Miss Ophelia has done for you? She says, she
has done everything she can think of.”
“Lor, yes, mas’r! old missis used to say so, too. She whipped me a
heap harder, and used to pull my ha’r, and knock my head agin the door;
but it didn’t do me no good! I ’spects if they’s to pull every spear
o’ ha’r out o’ my head it wouldn’t do no good neither――I’s so wicked!
Laws! I’s nothin’ but a nigger, no ways!”
“Well, I shall have to give her up,” said Miss Ophelia; “I can’t have
that trouble any longer.”
“Well, I’d just like to ask one question,” said St. Clare.
“What is it?”
“Why, if your Gospel is not strong enough to save one heathen child,
that you can have at home here, all to yourself, what’s the use of
sending one or two poor missionaries off with it among thousands
of just such? I suppose this child is about a fair sample of what
thousands of your heathen are.”
Miss Ophelia did not make an immediate answer; and Eva, who had stood
a silent spectator of the scene thus far, made a silent sign to Topsy
to follow her. There was a little glass-room at the corner of the
verandah, which St. Clare used as a sort of reading-room; and Eva and
Topsy disappeared into this place.
“What’s Eva going about now?” said St. Clare; “I mean to see.”
And, advancing on tiptoe, he lifted up a curtain that covered the
glass-door, and looked in. In a moment, laying his finger on his
lips, he made a silent gesture to Miss Ophelia to come and look.
There sat the two children on the floor, with their side faces towards
them――Topsy with her usual air of careless drollery and unconcern; but,
opposite to her, Eva, her whole face fervent with feeling, and tears
in her large eyes.
“What does make you so bad, Topsy? Why won’t you try and be good?
Don’t you love _anybody_, Topsy?”
“Dun no nothin’ ’bout love; I loves candy and sich, that’s all,” said
Topsy.
“But you love your father and mother?”
“Never had none, ye know. I telled ye that, Miss Eva.”
“Oh, I know,” said Eva, sadly; “but hadn’t you any brother, or sister,
or aunt, or――――”
“No, none on ’em――never had nothing nor nobody.”
“But, Topsy, if you’d only try to be good, you might――――”
“Couldn’t never be nothin’ but a nigger, if I was ever so good,” said
Topsy. “If I could be skinned, and come white, I’d try then.”
“But people can love you, if you are black, Topsy. Miss Ophelia would
love you if you were good.”
Topsy gave the short, blunt laugh that was her common mode of
expressing incredulity.
“Don’t you think so?” said Eva.
“No; she can’t b’ar me, ’cause I’m a nigger!――she’d’s soon have a
toad touch her. There can’t nobody love niggers, and niggers can’t
do nothin’. I don’t care,” said Topsy, beginning to whistle.
Public-domain text, read in full here on John Shaqi.
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