Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“If they are genuine, respect for the dead and mercy to the living
require that they should be suppressed and destroyed,” Mrs. Phelps
had said of “papers written _a little while_ before Marion’s death.”
His word was pledged. But what name would he see if he reversed the
sheet before destroying it? With a bound of the heart that would have
assured him, had proof been needed, what his bonnie living girl-love
was to him, he put away all tender memories of the dead, false
betrothed. He had worshipped and mourned the thinnest of shadows. He
might owe respect――abstractly――to the dead, but no reverence to a wild
dream from which he had been awakened. Who was the “living” to whom he
was entreated to show mercy? Where was the man who had first robbed
him, then let him play the sad-visaged dupe and fool, while the heyday
of youth slipped forever beyond his reach?
To learn that――to remember the name with execration――to despise with
the full force of a wronged and honest soul――perhaps to brand him as
a cur and blackguard, should he ever cross his path――would not break
his word. Was it not his right――the poor rag of compensation he might
claim for the incalculable, the damnable evil the traitor had wrought?
He would confess to Salome’s mother to-morrow――but this one thing he
would do.
He stooped for the letter.
“Peace! let him rest! God knoweth best!
And the flowing tide comes in!
And the flowing tide comes in!”
It was only his beloved stepmother on her nightly round of nursery
and Gerald’s chamber, singing to her guileless self in passing her
stepson’s door to prove her serenity of spirit; but Rex staggered back
into his seat, put his elbows on his knees and covered his face with
his hands.
He smelled the balsam-boughs slanting to the water, the trailing
arbutus Salome wore in her belt; heard the waves lapping the prow
and sides of the bounding boat. God’s glorious heaven was over them,
and the sun was rising, after a long, long night, in his heart. The
fresh, tender young voice told the tale of love and loss and patient
submission....
Aye, and could not he, affluent in heaven’s best blessings, loving
and beloved by the noble, true daughter of the Christian heroine who
expected her “son” to stand fast by his plighted word――the almost
husband of a pure, high-souled woman――afford to spare the miserable
wretch whose own mind and memory must be a continual hell?
He pitied, he almost forgave him, as he took up the sheets from the
floor, the scrap of paper from the table, and, averting his eyes lest
the signature might leap out at him from the twisting flame, laid them
under the forestick and did not look that way again until nothing was
left of them but cinder and ashes.
Illustration: (‡ decoration)
MARY ABIGAIL DODGE.
THE FAMOUS ESSAYIST, CRITIC, AND NOVELIST, “GAIL HAMILTON.”
Public-domain text, read in full here on John Shaqi.
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