Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
They go to the woods, I hang my prospective trout on my retrospective
♣rod and march riverward. Halicarnassus, according to the old saw,
“leaves this world and climbs a tree,” and, with ♦jackknife, cord and
perseverance, manufactures a fishing-rod, which he courteously offers
to me, which I succinctly decline, informing him in no ambiguous
phrase that I consider nothing beneath the best as good enough for me.
Halicarnassus is convinced by my logic, overpowered by my rhetoric,
and meekly yields up the best rod, though the natural man rebels. The
bank of the river is rocky, steep, shrubby, and difficult of ascent or
descent. Halicarnassus bids me tarry on the bridge, while he descends
to reconnoitre. I am acquiescent, and lean over the railing awaiting
the result of investigation. Halicarnassus picks his way over rocks,
sideways and zigzaggy along the bank, and down the river in search
of fish. I grow tired of playing leasa-bianca and steal behind the
bridge, and pick my way over the rocks sidewise and zigzaggy along
the bank and up the river, in search of “fun;” practice irregular and
indescribable gymnastics with variable success for half an hour or
so. Shout from the bridge. I look up. Too far off to hear the words,
but see Halicarnassus gesticulating furiously, and evidently laboring
under great excitement. Retrograde as rapidly as circumstances will
permit. Halicarnassus makes a speaking trumpet of his hands and roars,
“I’ve found――a fish! Left――him for――you――to catch! come quick!”――and
plunging headlong down the bank disappears. I am touched to the heart
by this sublime instance of self-denial and devotion, and scramble up
to the bridge, and plunge down after him. Heel of boot gets entangled
in hem of dress every third step――fishing-line in tree-top every
second; progress therefore not so rapid as could be desired. Reach
the water at last. Step cautiously from rock to rock to the middle of
the stream――balance on a pebble just large enough to plant both feet
on, and just firm enough to make it worth while to run the risk――drop
my line into the spot designated――a quiet, black little pool in the
rushing river――see no fish, but have faith in ♠Halicarnassus.
♣ ‘cod’ replaced with ‘rod’
♦ ‘jacknife’ replaced with ‘jackknife’
♠ ‘Harlicarnassus’ replaced with ‘Halicarnassus’
“Bite?” asks Halicarnassus eagerly.
“Not yet,” I answer sweetly. Breathless expectation. Lips compressed.
Eyes fixed. Five minutes gone.
“Bite?” calls Halicarnassus from down the river.
“Not yet,” hopefully.
“Lower your line a little. I’ll come in a minute.” Line is lowered.
Arms begin to ache. Rod suddenly bobs down. Snatch it up. Only an old
stick. Splash it off contemptuously.
“Bite?” calls Halicarnassus from afar.
“No,” faintly responds Marius, amid the ruins of Carthage.
Public-domain text, read in full here on John Shaqi.
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