Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
ONE of the sights pointed out to a traveler in the West is Cheyenne
Canyon, a wild and weird pass in the Rocky Mountains a short distance
from Colorado Springs. Some years ago the writer, in company with
a party of tourists, drove as far as a vehicle could pass up the
mountain-road that wound along a little stream which came tumbling
down the narrow ravine splitting the mountain in twain. Soon we were
compelled to abandon the wagon, and on foot we climbed the rugged way,
first on one side and then on the other of the rushing rivulet where
the narrow path could find space enough to lay its crooked length
along. Suddenly a little log-cabin in a clump of trees burst on our
view. A boy with a Winchester rifle slung over his shoulder met us a
few rods from the door and requested a fee of twenty-five cents each
before permitting us to pass.
“What is it?” inquired one of the party pointing at the cabin. “This
is the house Helen Hunt lived in and away above there is where she is
buried,” answered the boy. We paid the fee, inspected the house, and
then, over more rocky steeps, we climbed to the spot indicated near a
falling cataract and stood beside a pile of stones thrown together by
hundreds of tourists who had preceded us. It was the lonely grave of
one of the great literary women of our age. We gathered some stones
and added them to the pile and left her alone by the singing cataract,
beneath the sighing branches of the firs and pines which stood like
towering sentinels around her on Mount Jackson――for this peak was
named in her honor. “What a monument!” said one, “more lasting than
hammered bronze!” “But not moreso,” said another, “than the good she
has done. Her influence will live while this mountain shall stand,
unless another dark age should sweep literature out of existence.”
“I wonder the Indians don’t convert this place into a shrine and come
here to worship,” ventured a third person. “Her ‘Romona,’ written in
their behalf, must have been produced under a divine inspiration. She
was among all American writers their greatest benefactor.”
Public-domain text, read in full here on John Shaqi.
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