Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
THE other day, as I was walking on one of the oldest and most
picturesque streets of the old and picturesque town of Newport, R. I.,
I saw a little girl standing before the window of a milliner’s shop.
It was a very rainy day. The pavement of the sidewalks on this street
is so sunken and irregular that in wet weather, unless one walks with
very great care, he steps continually into small wells of water. Up to
her ankles in one of these wells stood the little girl, apparently as
unconscious as if she were high and dry before a fire. It was a very
cold day too. I was hurrying along, wrapped in furs, and not quite
warm enough even so. The child was but thinly clothed. She wore an old
plaid shawl and a ragged knit hood of scarlet worsted. One little red
ear stood out unprotected by the hood, and drops of water trickled
down over it from her hair. She seemed to be pointing with her finger
at articles in the window, and talking to some one inside. I watched
her for several moments, and then crossed the street to see what it
all meant. I stole noiselessly up behind her, and she did not hear me.
The window was full of artificial flowers, of the cheapest sort, but
of very gay colors. Here and there a knot of ribbon or a bit of lace
had been tastefully added, and the whole effect was really remarkably
gay and pretty. Tap, tap, tap, went the small hand against the
window-pane; and with every tap the unconscious little creature
murmured, in a half-whispering, half-singing voice, “I choose _that_
color.” “I choose _that_ color.” “I choose _that_ color.”
I stood motionless. I could not see her face; but there was in her
whole attitude and tone the heartiest content and delight. I moved a
little to the right, hoping to see her face, without her seeing me;
but the slight movement caught her ear, and in a second she had sprung
aside and turned toward me. The spell was broken. She was no longer
the queen of an air-castle, decking herself in all the rainbow hues
which pleased her eye. She was a poor beggar child, out in the rain,
and a little frightened at the approach of a stranger. She did not
move away, however; but stood eyeing me irresolutely, with that
pathetic mixture of interrogation and defiance in her face which is
so often seen in the prematurely developed faces of poverty-stricken
children. “Aren’t the colors pretty?” I said. She brightened instantly.
“Yes’m. I’d like a goon av thit blue.”
“But you will take cold standing in the wet,” said I. “Won’t you come
under my umbrella?”
She looked down at her wet dress suddenly, as if it had not occurred
to her before that it was raining. Then she drew first one little
foot and then the other out of the muddy puddle in which she had been
standing, and, moving a little closer to the window, said, “I’m not
jist goin’ home, mem. I’d like to stop here a bit.”
Public-domain text, read in full here on John Shaqi.
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