Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“I hev los’ my faith!” he cried out, with a poignant despair. “God
ez’ gin it――ef thear is a God――he’s tuk it away. You-uns kin go
on. You-uns kin b’lieve. Yer paster b’lieves, an’ he’ll lead ye ter
grace,――leastwise ter a better life. But fur me thar’s the nethermost
depths of hell, ef”――how his faith and his unfaith now tried him!――“ef
thar be enny hell. Leastwise――Stop, brother,” he held up his hand in
deprecation, for Parson Tobin had risen at last, and with a white,
scared face. Nothing like this had ever been heard in all the length
and breadth of the Great Smoky Mountains. “Bear with me a little;
ye’ll see me hyar no more. Fur me thar is shame, ah! an’ trial, ah!
an’ doubt, ah! an’ despair, ah! The good things o’ heaven air denied.
My name is ter be er byword an’ a reproach ’mongst ye. Ye’ll grieve ez
ye hev ever learn the Word from me, ah! Ye’ll be held in derision! An’
I hev hed trials,――none like them es air comin’, comin’ down the wind.
I hev been a man marked fur sorrow, an’ now fur shame.” He stood erect;
he looked bold, youthful. The weight of his secret, lifted now, had
been heavier than he knew. In his eyes shone that strange light which
was frenzy or prophecy, or inspiration; in his voice rang a vibration
they had never before heard. “I will go forth from ’mongst ye,――I that
am not of ye. Another shall gird me an’ carry me where I would not.
Hell an’ the devil hev prevailed agin me. Pray fur me, brethren, ez I
cannot pray fur myself. Pray that God may yet speak ter me――speak from
out o’ the whirlwind.”
Illustration: (‡ decoration)
ELIZABETH STUART PHELPS WARD.
AUTHOR OF “GATES AJAR!”
THIS is said to be a practical age and there is much talk about
the materialistic tendencies of the time and the absorption of the
people in affairs of purely momentary and transient importance. It
is nevertheless true that the books which attract the most attention
are the most widely read, and best beloved are those which deal with
the great questions of life and of eternity. It was upon “The Gates
Ajar” that Elizabeth Stuart Phelps founded her reputation. It dealt
entirely with the questions of the future life treating them in a way
remarkably fresh and vigorous, not to say daring, and its reception
was so favorable that it went through twenty editions during its first
year.
Public-domain text, read in full here on John Shaqi.
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