Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
THE drowsy hours of afternoon were devoted to the museum, collected
and exhibited by the public-spirited widow of a sea-captain named
McCleve. An upper room to her comfortable house is devoted to the
curios, although, like attar of roses, or some penetrating oils,
they seem to have saturated the entire mansion,――the good-natured
proprietress occasionally haling a favored guest away from the rest
to look at some quaint picture, piece of china, or bit of furniture in
her own private apartments. The party of twelve or fourteen collected
on this special afternoon were taken to the upper room and seated
around a small table, as if for a spiritual _séance_, the hostess
arranging precedence and proximity with an autocratic good-humor to
which everybody yielded except the señor, who, standing looking in at
the door, was presently accosted with――
“That gentleman at the door――why――I’ve seen that face before! Don’t
you tell me it’s Sam!”
“No, I won’t, Aunty McCleve, for you’d be sure to contradict me
if I did,” replied the señor, coolly; whereupon Aunty shook him
affectionately by the hand, assuring him he was the same “saucy boy”
he used to be, and dragged him most reluctantly to a seat in the
magical circle.
“At what period of the entertainment do we pay?” inquired one of the
persons one meets everywhere, and who may be called the whit-leather
of society. Mrs. McCleve looked at him with an appreciative eye for a
moment, and then quietly replied:
“Well, it isn’t often people bring it out quite so plain as that, but
I guess _you’d_ better pay now before you forget it.” Whit-leather
does not suffer from sarcasm, and the practical man, producing a
quarter of a dollar, held it tight while asking――
“Have you got ten cents change?”
“No, brother; but you can keep your quarter till I have,” replied
Aunty, with the quiet gleam still in her eye, and the business was
soon adjusted. This over, she placed upon the table a tray containing
some really exquisite carvings in whale’s-tooth ivory, comprising
a set of napkin-rings, thread-winders, spoons of various sizes,
knife-handles, and several specimens of a utensil peculiar to
Nantucket, called a jagging-knife, used for carving ornamental
patterns in pastry,――a species of embroidery for which Nantucket
housewives were once famous, although, “pity ’tis, ’tis true,” they
have now largely emancipated themselves from such arts.
Public-domain text, read in full here on John Shaqi.
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