Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
It is difficult to select from a poem of which the parts make
one harmonious whole; but the history of “The Sinless Child” is
illustrated all through with panel pictures which are scarcely
less effective when separated from their series than when
combined, and the reader will be gratified with a few of those
which serve to exhibit the author’s graceful play of fancy,
and the pure vein of poetic sentiment as well as her manner and
style in treating this masterpiece of its author.
THE STEP-MOTHER.
(FROM “THE SINLESS CHILD.”)
YOU speak of Hobert’s second wife,
A lofty dame and bold:
I like not her forbidding air,
And forehead high and cold.
The orphans have no cause for grief,
She dare not give it now,
Though nothing but a ghostly fear
Her heart of pride could bow.
One night the boy his mother called:
They heard him weeping say――
“Sweet mother, kiss poor Eddy’s cheek,
And wipe his tears away!”
Red grew the lady’s brow with rage,
And yet she feels a strife
Of anger and of terror too,
At thought of that dead wife.
Wild roars the wind, the lights burn blue,
The watch-dog howls with fear;
Loud neighs the steed from out the stall:
What ♦form is gliding near?
No latch is raised, no step is heard,
But a phantom fills the space――
A sheeted spectre from the dead,
With cold and leaden face!
What boots it that no other eye
Beheld the shade appear?
The guilty lady’s guilty soul
Beheld it plain and clear!
It slowly glides within the room,
And sadly looks around――
And stooping, kissed her daughter’s cheek
With lips that gave no sound!
Then softly on the stepdame’s arm
She laid a death-cold hand,
Yet it hath scorched within the flesh
Like to a burning brand;
And gliding on with noiseless foot,
O’er winding stair and hall,
She nears the chamber where is heard
Her infant’s trembling call.
She smoothed the pillow where he lay,
She warmly tucked the bed,
She wiped his tears, and stroked the curls
That clustered round his head.
The child, caressed, unknowing fear,
Hath nestled him to rest;
The mother folds her wings beside――
The mother from the blest!
♦ ‘from’ replaced with ‘form’
* * * * *
GUARDIAN ANGELS.
(FROM “THE SINLESS CHILD.”)
WITH downy pinion they enfold
The heart surcharged with wo,
And fan with balmy wing the eye
Whence floods of sorrow flow;
They bear, in golden censers up,
That sacred gift a tear――
By which is registered the griefs
Hearts may have suffered here.
Public-domain text, read in full here on John Shaqi.
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