Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
(PHOEBE CARY.)
¹ Copyright, Houghton, Mifflin & Co.
DYING, still slowly dying,
As the hours of night rode by,
She had lain since the light of sunset
Was red on the evening sky;
Till after the middle watches,
As we softly near her trod,
When her soul from its prison fetters
Was loosed by the hand of God.
One moment her pale lips trembled
With the triumph she might not tell,
As the sight of the life immortal
On her spirit’s vision fell;
Then the look of rapture faded,
And the beautiful smile was faint,
As that in some convent picture,
On the face of a dying saint.
And we felt in the lonesome midnight,
As we sat by the silent dead,
What a light on the path going downward
The feet of the righteous shed;
When we thought how with faith unshrinking
She came to the Jordan’s tide,
And taking the hand of the Saviour,
Went up on the heavenly side.
* * * * *
MEMORIES.¹
(PHOEBE CARY.)
“_She loved me, but she left me._”
¹ Copyright, Houghton, Mifflin & Co.
MEMORIES on memories! to my soul again
There come such dreams of vanished love and bliss
That my wrung heart, though long inured to pain,
Sinks with the fulness of its wretchedness:
Thou, dearer far than all the world beside!
Thou, who didst listen to my love’s first vow――
Once I had fondly hoped to call thee bride:
Is the dream over? comes that awakening now?
And is this hour of wretchedness and tears
The only guerdon for my wasted years?
And I did love thee――when by stealth we met
In the sweet evenings of that summer time,
Whose pleasant memory lingers with me yet,
As the remembrance of a better clime
Might haunt a fallen angel. And oh, thou――
Thou who didst turn away and seek to bind
Thy heart from breaking――thou hast felt ere now
A heart like thine o’ermastereth the mind:
Affection’s power is stronger than thy will――
Ah, thou didst love me, and thou lovest me still.
My heart could never yet be taught to move
With the calm even pulses that it should:
Turning away from those that it should love,
And loving whom it should not, it hath wooed
Beauty forbidden――I may not forget;
And thou, oh thou canst never cease to feel;
But time, which hath not changed affection yet,
Hath taught at least one lesson――to conceal;
So none but thou, who see my smiles, shall know
The silent bleeding of the heart below.
* * * * *
“EQUAL TO EITHER FORTUNE.”¹
(PHOEBE CARY.)
¹ Copyright, Houghton, Mifflin & Co.
Public-domain text, read in full here on John Shaqi.
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