Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Her rattling shrouds, all sheathed in ice,
With the masts, went by the board;
Like a vessel of glass she stove and sank――
Ho! ho! the breakers roared.
At daybreak on the bleak sea-beach,
A fisherman stood aghast,
To see the form of a maiden fair
Lashed close to a drifting mast.
The salt sea was frozen on her breast,
The salt tears in her eyes;
And he saw her hair, like the brown seaweed,
On the billows fall and rise.
Such was the wreck of the Hesperus,
In the midnight and the snow;
Christ save us all from a death like this,
On the reef of Norman’s Woe
* * * * *
THE OLD CLOCK ON THE STAIRS.
SOMEWHAT back from the village street
Stands the old-fashioned country seat;
Across its antique portico
Tall poplar trees their shadows throw;
And, from its station in the hall,
An ancient timepiece says to all,
“Forever――never!
Never――forever!”
Half-way up the stairs it stands,
And points and beckons with its hands,
From its case of massive oak,
Like a monk who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass,
“Forever――never!
Never――forever!”
By day its voice is low and light;
But in the silent dead of night,
Distinct as a passing footstep’s fall,
It echoes along the vacant hall,
Along the ceiling, along the floor,
And seems to say at each chamber door,
“Forever――never!
Never――forever!”
Through days of sorrow and of mirth,
Through days of death and days of birth,
Through every swift vicissitude
Of changeful time, unchanged it has stood,
And as if, like God, it all things saw,
It calmly repeats those words of awe,
“Forever――never!
Never――forever!”
In that mansion used to be
Free-hearted Hospitality;
His great fires up the chimney roared;
The stranger feasted at his board;
But, like the skeleton at the feast,
That warning timepiece never ceased
“Forever――never!
Never――forever!”
There groups of merry children played;
There youths and maidens dreaming strayed;
Oh, precious hours! oh, golden prime
And affluence of love and time!
Even as a miser counts his gold,
Those hours the ancient timepiece told,――
“Forever――never!
Never――forever!”
From that chamber, clothed in white,
The bride came forth on her wedding night;
There, in that silent room below,
The dead lay, in his shroud of snow;
And, in the hush that followed the prayer,
Was heard the old clock on the stair,――
“Forever――never!
Never――forever!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account