Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
All are scattered now, and fled,――
Some are married, some are dead:
And when I ask, with throbs of pain,
“Ah!” when shall they all meet again?
As in the days long since gone by,
The ancient timepiece makes reply,
“Forever――never!
Never――forever!”
Never here, forever there,
Where all parting, pain, and care
And death, and time shall disappear,――
Forever there, but never here!
The horologe of Eternity
Sayeth this incessantly,
“Forever――never!
Never――forever!”
* * * * *
THE SKELETON IN ARMOR.
The writing of this famous ballad was suggested to Mr.
Longfellow by the digging up of a mail-clad skeleton at
Fall-River, Massachusetts――a circumstance which the poet linked
with the traditions about the Round Tower at Newport, thus
giving to it the spirit of a Norse Viking song of war and of
the sea. It is written in the swift leaping meter employed by
Drayton in his “Ode to the Cambro Britons on their Harp.”
SPEAK! speak! thou fearful guest!
Who, with thy hollow breast
Still in rude armor drest,
Comest to daunt me!
Wrapt not in Eastern balms,
But with thy fleshless palms
Stretch’d, as if asking alms,
Why dost thou haunt me?”
Then, from those cavernous eyes
Pale flashes seemed to rise,
As when the Northern skies
Gleam in December;
And, like the water’s flow
Under December’s snow,
Came a dull voice of woe
From the heart’s chamber.
“I was a Viking old!
My deeds, though manifold,
No Skald in song has told,
No Saga taught thee!
Take heed, that in thy verse
Thou dost the tale rehearse,
Else dread a dead man’s curse!
For this I sought thee.
“Far in the Northern Land,
By the wild Baltic’s strand,
I, with my childish hand,
Tamed the ger-falcon;
And, with my skates fast-bound,
Skimm’d the half-frozen Sound,
That the poor whimpering hound
Trembled to walk on.
“Oft to his frozen lair
Track’d I the grizzly bear,
While from my path the hare
Fled like a shadow;
Oft through the forest dark
Followed the were-wolf’s bark,
Until the soaring lark
Sang from the meadow.
“But when I older grew,
Joining a corsair’s crew,
O’er the dark sea I flew
With the marauders.
Wild was the life we led;
Many the souls that sped,
Many the hearts that bled,
By our stern orders.
“Many a wassail-bout
Wore the long winter out;
Often our midnight shout
Set the cocks crowing,
As we the Berserk’s tale
Measured in cups of ale,
Draining the oaken pail,
Fill’d to o’erflowing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account