Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
If the stars should appear one night in a thousand years, how
would men believe and adore and preserve for many generations the
remembrance of the city of God which had been shown! But every night
come out these preachers of beauty and light the universe with their
admonishing smile.
The stars awaken a certain reverence, because, always present,
they are always inaccessible; but all natural objects make kindred
impression when the mind is open to their influence. Nature never
wears a mean appearance. Neither does the wisest man extort all her
secrets and lose his curiosity by finding out all her perfection.
Nature never became a toy to a wise spirit. The flowers, the animals,
the mountains reflected all the wisdom of his best hour as much as
they had delighted the simplicity of his childhood.
When we speak of Nature in this manner, we have a distinct but most
poetical sense in the mind. We mean the integrity of impression made
by manifold Nature objects. It is this which distinguishes the stick
of timber of the wood-cutter from the tree of the poet. The charming
landscape which I saw this morning is indubitably made up of some
twenty or thirty farms. Miller owns this field, Locke that, and
Manning the woodland beyond. But none of them owns the landscape.
There is a property in the horizon which no man has but he whose eye
can integrate all the parts――that is, the poet. This is the best part
of these men’s farms, yet to this their land-deeds give them no title.
To speak truly, few adult persons can see Nature. Most persons do not
see the sun. At least they have a very superficial seeing. The sun
illuminates only the eye of the man, but shines into the eye and the
heart of the child. The lover of Nature is he whose inward and outward
senses are still truly adjusted to each other――who has retained the
spirit of infancy even into the era of manhood. His intercourse with
heaven and earth becomes part of his daily food. In the presence of
Nature a wild delight runs through the man in spite of real sorrows.
Nature says, He is my creature, and, maugre all his impertinent griefs,
he shall be glad with me. Not the sun nor the summer alone, but every
hour and season, yields its tribute of delight; for every hour and
change corresponds to and authorizes a different state of the mind,
from breathless noon to grimmest midnight. Nature is a setting that
fits equally well a comic or a mourning piece. In good health the
air is a cordial of incredible virtue. Crossing a bare common in
snow-puddles at twilight under a clouded sky, without having in my
thoughts any occurrence of special good-fortune, I have enjoyed a
perfect exhilaration. Almost I fear to think how glad I am. In the
woods, too, a man casts off his years as the snake his slough, and
at what period soever of his life is always a child. In the woods
is perpetual youth. Within these plantations of God a decorum and
sanctity reign, a perennial festival is dressed, and the guest sees
Public-domain text, read in full here on John Shaqi.
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