Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
LOOK on him――through his dungeon-grate,
Feebly and cold, the morning light
Comes stealing round him, dim and late,
As if it loathed the sight.
Reclining on his strawy bed,
His hand upholds his drooping head――
His bloodless cheek is seam’d and hard,
Unshorn his gray, neglected beard;
And o’er his bony fingers flow
His long, dishevell’d locks of snow.
No grateful fire before him glows,――
And yet the winter’s breath is chill:
And o’er his half-clad person goes
The frequent ague-thrill!
Silent――save ever and anon,
A sound, half-murmur and half-groan,
Forces apart the painful grip
Of the old sufferer’s bearded lip:
O, sad and crushing is the fate
Of old age chain’d and desolate!
Just GOD! why lies that old man there?
A murderer shares his prison-bed,
Whose eyeballs, through his horrid hair,
Gleam on him fierce and red;
And the rude oath and heartless jeer
Fall ever on his loathing ear,
And, or in wakefulness or sleep
Nerve, flesh, and fibre thrill and creep,
Whene’er that ruffian’s tossing limb,
Crimson’d with murder, touches him!
What has the gray-hair’d prisoner done?
Has murder stain’d his hands with gore?
Not so: his crime’s a fouler one:
_God made the old man poor!_
For this he shares a felon’s cell――
The fittest earthly type of hell!
For this――the boon for which he pour’d
His young blood on the invader’s sword,
And counted light the fearful cost――
His blood-gain’d liberty is lost!
And so, for such a place of rest,
Old prisoner, pour’d thy blood as rain
On Concord’s field, and Bunker’s crest,
And Saratoga’s plain?
Look forth, thou man of many scars,
Through thy dim dungeon’s iron bars!
It must be joy, in sooth, to see
Yon monument uprear’d to thee――
Piled granite and a prison cell――
The land repays thy service well!
Go, ring the bells and fire the guns,
And fling the starry banner out;
Shout “Freedom!” till your lisping ones
Give back their cradle-shout:
Let boasted eloquence declaim
Of honor, liberty, and fame;
Still let the poet’s strain be heard,
With “glory” for each second word,
And everything with breath agree
To praise, “our glorious liberty!”
And when the patriot cannon jars
That prison’s cold and gloomy wall,
And through its grates the stripes and stars
Rise on the wind, and fall――
Think ye that prisoner’s aged ear
Rejoices in the general cheer!
Think ye his dim and failing eye
Is kindled at your pageantry?
Sorrowing of soul, and chain’d of limb,
What is your carnival to him?
Public-domain text, read in full here on John Shaqi.
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