Library of the World's Best Literature, Ancient and Modern — Volume 01
General
Library of the World's Best Literature, Ancient and Modern — Volume 01
Literature -- Collections
At the time of Louisa Alcott's birth her father had charge of a school
in Germantown; but within two years he moved to Boston with his family,
and put into practice methods of teaching so far in advance of his time
that they were unsuccessful. From 1840, the home of the Alcott family
was in Concord, Massachusetts, with the exception of a short time spent
in a community on a farm in a neighboring town, and the years from 1848
to 1857 in Boston. At seventeen, Louisa's struggle with life began. She
wrote a play, contributed sensational stories to weekly papers, tried
teaching, sewing,--even going out to service,--and would have become an
actress but for an accident. What she wrote of her mother is as true of
herself, "She always did what came to her in the way of duty or charity,
and let pride, taste, and comfort suffer for love's sake." Her first
book, 'Flower Fables,' a collection of fairy tales which she had written
at sixteen for the children of Ralph Waldo Emerson, some other little
friends, and her younger sisters, was printed in 1855 and was well
received. From this time until 1863 she wrote many stories, but few that
she afterward thought worthy of being reprinted. Her best work from 1860
to 1863 is in the Atlantic Monthly, indexed under her name; and the most
carefully finished of her few poems, 'Thoreau's Flute,' appeared in that
magazine in September, 1863. After six weeks' experience in the winter
of 1862-63 as a hospital nurse in Washington, she wrote for the
Commonwealth, a Boston weekly paper, a series of letters which soon
appeared in book form as 'Hospital Sketches,' Miss Alcott says of them,
"The 'Sketches' never made much money, but showed me 'my style.'" In
1864 she published a novel, 'Moods'; and in 1866, after a year abroad as
companion to an invalid, she became editor of Merry's Museum, a magazine
for children.
Public-domain text, read in full here on John Shaqi.
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