Library of the World's Best Literature, Ancient and Modern — Volume 02
General
Library of the World's Best Literature, Ancient and Modern — Volume 02
Literature -- Collections
'The Frogs,' B.C. 405, in the brief respite of hope between the victory
of Arginusæ and the final overthrow of Athens at Ægospotami. Aeschylus,
Sophocles, and Euripides are dead. The minor bards are a puny folk, and
Dionysus is resolved to descend to Hades in quest of a truly creative
poet, one capable of a figure like "my star god's glow-worm," or "His
honor rooted in dishonor stood." After many surprising adventures by the
way, and in the outer precincts of the underworld, accompanied by his
Sancho Panza, Xanthias, he arrives at the court of Pluto just in time to
be chosen arbitrator of the great contest between Aeschylus and
Euripides for the tragic throne in Hades. The comparisons and parodies
of the styles of Aeschylus and Euripides that follow, constitute, in
spite of their comic exaggeration, one of the most entertaining and
discriminating chapters of literary criticism extant, and give us an
exalted idea of the intelligence of the audience that appreciated them.
Dionysus decides for Æschylus, and leads him back in triumph to the
upper world.
The 'Ecclesiazusæ' or 'Ladies in Parliament,' B.C. 393: apparently a
satire on the communistic theories which must have been current in the
discussions of the schools before they found definite expression in
Plato's 'Republic.' The ladies of Athens rise betimes, purloin their
husbands' hats and canes, pack the Assembly, and pass a measure to
intrust the reins of government to women. An extravagant and licentious
communism is the result.
The 'Plutus,' B.C. 388: a second and much altered edition of a play
represented for the first time in 408. With the 'Ecclesiazusæ' it marks
the transition to the Middle Comedy, there being no parabasis, and
little of the exuberant _verve_ of the older pieces. The blind god of
Wealth recovers his eyesight by sleeping in the temple of Æsculapius,
and proceeds to distribute the gifts of fortune more equitably.
The assignment of the dates and restoration of the plots of the
thirty-two lost plays, of which a few not very interesting fragments
remain, belong to the domain of conjectural erudition.
Public-domain text, read in full here on John Shaqi.
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