Thus she who laughed at everybody else laughed at herself, and set her critical instinct to estimate her own capacity. To Mr. Clarke, the librarian of Carlton House, who had requested her to "delineate a clergyman" of earnestness, enthusiasm, and learning, she replied:--"I am quite honored by your thinking me capable of drawing such a clergyman as you gave the sketch of in your note. But I assure you I am not. The comic part of the character I might be equal to, but not the good, the enthusiastic, the literary.... I think I may boast myself to be, with all possible vanity, the most unlearned and uninformed female who ever dared to be an authoress." And when the same remarkable bibliophile suggested to her, on the approach of the marriage of the Princess Charlotte with Prince Leopold, that "an historical romance, illustrative of the august House of Coburg, would just now be very interesting," she answered:--"I am fully sensible that an historical romance, founded on the House of Saxe-Coburg, might be much more to the purpose of profit or popularity than such pictures of domestic life in country villages as I deal in. But I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable to keep it up, and never relax into laughing at myself or at other people, I am sure that I should be hung before I had finished the first chapter. No! I must keep to my own style, and go on in my own way: and though I may never succeed again in that, I am convinced that I shall totally fail in any other." And again she writes: "What shall _I_ do with your 'strong, manly, vigorous sketches, full of variety and glow'? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush as produces little effect, after much labor?" Miss Austen read very little. She "detested quartos." Richardson, Johnson, Crabbe, and Cowper seem to have been the only authors for whom she had an appreciation. She would sometimes say, in jest, that "if ever she married at all, she could fancy being Mrs. Crabbe!" But her bent of original composition, her amazing power of observation, her inexhaustible sense of humor, her absorbing interest in what she saw about her, were so strong that she needed no reinforcement of culture. It was no more in her power than it was in Wordsworth's to "gather a posy of other men's thoughts."