But evening has come. It is the strange, uncertain hour at which the curtains of the sky are drawn and the cities are lighted. The gas throws spots on the purple of the sunset. Honest or dishonest, sane or mad, men say to themselves, "At last the day is at an end!" The wise and the good-for-nothing think of pleasure, and each hurries to the place of his choice to drink the cup of pleasure. Mr. G---- will be the last to leave any place where the light may blaze, where poetry may throb, where life may tingle, where music may vibrate, where a passion may strike an attitude for his eye, where the man of nature and the man of convention show themselves in a strange light, where the sun lights up the rapid joys of fallen creatures! "A day well spent," says a kind of reader whom we all know, "any one of us has genius enough to spend a day that way." No! Few men are gifted with the power to see; still fewer have the power of expression. Now, at the hour when others are asleep, this man is bent over his table, darting on his paper the same look which a short time ago he was casting on the world, battling with his pencil, his pen, his brush, throwing the water out of his glass against the ceiling, wiping his pen on his shirt,--driven, violent, active, as if he fears that his images will escape him, a quarreler although alone,--a cudgeler of himself. And the things he has seen are born again upon the paper, natural and more than natural, beautiful and more than beautiful, singular and endowed with an enthusiastic life like the soul of the author. The phantasmagoria have been distilled from nature. All the materials with which his memory is crowded become classified, orderly, harmonious, and undergo that compulsory idealization which is the result of a childlike perception, that is to say, of a perception that is keen, magical by force of ingenuousness. MODERNNESS