Library of the World's Best Literature, Ancient and Modern — Volume 04
General
Library of the World's Best Literature, Ancient and Modern — Volume 04
Literature -- Collections
Several contemporary sketches of Disraeli at this time have been
preserved. His dress was purposed affectation; it led the beholder to
look for folly only: and when the brilliant flash came, it was the more
startling as unexpected from such a figure. Lady Dufferin told Mr.
Motley that when she met Disraeli at dinner, he wore a black-velvet coat
lined with satin, purple trousers with a gold band running down the
outside seam, a scarlet waistcoat, long lace ruffles falling down to the
tips of his fingers, white gloves with several rings outside, and long
black ringlets rippling down his shoulders. She told him he had made a
fool of himself by appearing in such a dress, but she did not guess why
it had been adopted. Another contemporary says of him, "When duly
excited, his command of language was wonderful, his power of sarcasm
unsurpassed."
He was busy making speeches and writing political squibs for the next
two years; for Parliament was before his eyes. "He knew," says Froude,
"he had a devil of a tongue, and was unincumbered by the foolish form of
vanity called modesty." 'Ixion in Heaven,' 'The Infernal Marriage,' and
'Popanilla' were attempts to rival both Lucian and Swift on their own
ground. It is doubtful, however, whether he would have risked writing
'Henrietta Temple' (1837) and 'Venetia' (1837), two ardent love stories,
had he not been in debt; for notoriety as a novelist is not always a
recommendation to a constituency.
In 'Henrietta' he found an opportunity to write the biography of a lover
oppressed by duns. It is a most entertaining novel even to a reader who
does not read for a new light on the great statesman, and is remarkable
as the beginning of what is now known as the "natural" manner; a revolt,
his admirers tell us, from the stilted fashion of making love that then
prevailed in novels.
'Venetia' is founded on the characters of Byron and Shelley, and is
amusing reading. The high-flown language incrusted with the gems of
rhetoric excites our risibilities, but it is not safe to laugh at
Disraeli; in his most diverting aspects he has a deep sense of humor,
and he who would mock at him is apt to get a whip across the face at an
unguarded moment. Mr. Disraeli laughs in his sleeve at many things, but
first of all at the reader.
Public-domain text, read in full here on John Shaqi.
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