Library of the World's Best Literature, Ancient and Modern — Volume 04
General
Library of the World's Best Literature, Ancient and Modern — Volume 04
Literature -- Collections
It is perhaps interesting to mention that the very chirography of
Beethoven's letters is eloquent of the man. Handwriting is apt to be.
Mendelssohn, the well-balanced, the precise, wrote like copper-plate.
Wagner wrote a fine strong hand, seldom with erasures. Spontini, the
soldier-like, wrote with the decision of a soldier. Beethoven's letters
and notes are in a large, open, dashing hand, often scrawls, always with
the blackest of ink, full of changes, and not a flourish to spare--the
handwriting of impulse and carelessness as to form, compared with a
writer's desire of making his meaning clear.
[Illustration: Signature: E. IRENÆUS STEVENSON]
FROM LETTER TO DR. WEGELER, VIENNA
In what an odious light have you exhibited me to myself! Oh! I
acknowledge it, I do not deserve your friendship. It was no intentional
or deliberate malice that induced me to act towards you as I did--but
inexcusable thoughtlessness alone.
I say no more. I am coming to throw myself into your arms, and to
entreat you to restore me my lost friend; and you will give him back to
me, to your penitent, loving, and ever grateful
BEETHOVEN.
TO THE SAME
VIENNA, June 29th, 1800.
_My dear and valued Wegeler:_
How much I thank you for your remembrance of me, little as I deserve it
or have sought to deserve it; and yet you are so kind that you allow
nothing, not even my unpardonable neglect, to discourage you, always
remaining the same true, good, and faithful friend. That I can ever
forget you or yours, once so dear and precious to me, do not for a
moment believe. There are times when I find myself longing to see you
again, and wishing that I could go to stay with you. My fatherland, that
lovely region where I first saw the light, is still as distinct and
beauteous in my eyes as when I quitted you; in short, I shall esteem the
time when I once more see you, and again greet Father Rhine, as one of
the happiest periods of my life. When this may be I cannot yet tell, but
at all events I may say that you shall not see me again till I have
become not only eminent as an artist, but better and more perfect as a
man; and if the condition of our fatherland be then more prosperous, my
art shall be entirely devoted to the benefit of the poor. Oh, blissful
moment!--how happy do I esteem myself that I can expedite it and bring
it to pass!
Public-domain text, read in full here on John Shaqi.
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