Library of the World's Best Literature, Ancient and Modern — Volume 05
History
Library of the World's Best Literature, Ancient and Modern — Volume 05
Literature -- Collections
So I searched for my instrument on the ground, and now noticed, to my
astonishment, that although the storm had swept away from us, the whole
ruin was nevertheless brightly illuminated. On looking up I saw the
topmost branches of a solitary stone-pine one dazzle of flames. Rising
straight on high from a gap in the wall which its roots had shattered,
it looked a colossal chandelier on which the lightning had kindled a
thousand tapers. There was not a breath of air, not a drop of rain, so
that the flames burned clear and steady as under cover of a
mighty dome.
By this brilliant light, by which every object, from a human form to a
marble acanthus leaf, cast sharp-edged shadows, I soon discovered my
violin on a tangle of flowering clematis, and began tuning its strings.
No sooner had I struck into the same lively tune, than the strange being
rose again as by magic, and, slowly opening her intoxicating eyes, began
swaying herself to and fro with the same graceful gestures and movements
that I had already observed.
Thus I played all through the night, long after the rear-guard of the
thunder-storm had disappeared below the opposite horizon whence it first
arose--played indefatigably on and on like a man possessed, and still,
by the torch of the burning pine, I saw the beautiful mænad-like figure
whirling to and fro with miraculous endurance. Now and then, through the
deep silence, I heard a scarred pine-bough come crackling to the earth;
now and then I heard the lowing of the stabled cattle in some distant
part of the ruin; once and again, smiting like a cry, I heard one string
snapping after another under my pitiless hands.
Still I played on, though a misty quiver of sparks was dancing about my
eyes, till the fallow-tinted dawn gleamed faintly in the east.
At last, at last, a change stole over the form and features of the
indefatigable dancer. Her companions, overcome with fatigue, had long
ago sunk to the ground, where, with their little ruffled heads resting
on any bit of marble, they lay sleeping calmly like little children.
Only the mother still watched and prayed for her child, the unnatural
tension of whose nerves and muscles now seemed visibly to relax; for the
mad light of exaltation in her eyes veiled itself in softness, her feet
moved more and more slowly, and her arms, which had heretofore been in
constant motion, dropped languidly to her side. I too relaxed in my
_tempo_, and the thrilling, vivacious tune melted away in a
dying strain.
At the expiring notes, when I had but one string left, her tired eyes
closed as in gentlest sleep, a smile hovered about her lips, her head
sank heavily forward on her bosom, and she would have fallen had not her
mother received the swooning form into her outstretched arms.
Public-domain text, read in full here on John Shaqi.
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