Library of the World's Best Literature, Ancient and Modern — Volume 05
History
Library of the World's Best Literature, Ancient and Modern — Volume 05
Literature -- Collections
Two years later, in 1850, appeared his delightful book in prose and
poetry, 'Tausend und ein Tag im Orient' (Thousand and One Days in the
East), a reminiscence of his Eastern wanderings and his sojourn at
Tiflis, The central figure is his Oriental friend Mirza-Schaffy. "It
occurred to me," he says, "to portray with poetic freedom the Caucasian
philosopher as he lived in my memory, with all his idiosyncrasies, and
at the same time have him stand as the type of an Eastern scholar and
poet; in other words, to have him appear more important than he really
was, for he never was a true poet, and of all the songs which he read to
me as being his own, I could use only a single one, the little
rollicking song, 'Mullah, pure is the wine, and it's sin to despise it.'
For his other verse I substituted poems of my own, which were in keeping
with his character and the situations in which he appeared." The poems
by themselves, together with others written at different times and
places, Bodenstedt published in 1856 under the title 'Lieder des
Mirza-Schaffy' (Songs of Mirza-Schaffy). Quite unintentionally they have
occasioned one of the most amusing of literary mystifications. For a
long time they were supposed to be real translations; and even to-day,
despite the poet's own words, the "Sage of Tiflis" is considered by some
a very great poet. A Tartar by birth, who had absorbed Persian culture,
he was a skillful versifier, and could with facility translate simple
songs from the Persian into the Tartar language. Bodenstedt put into
Mirza-Schaffy's mouth the songs which were written during his
intercourse with the Eastern sage, to give vividness to the picture of
an Eastern divan of wisdom.
They portray Oriental life on its more sensuous, alluring side. In most
musical, caressing verse they sing of wine and love, of the charms of
Zuleika and Hafisa, of earthly bliss and the delights of living. Yet
with all their warm Eastern imagery and rich foreign dress they are
essentially German in spirit, and their prevailing note of joyousness is
now and again tempered by more serious strains.
Public-domain text, read in full here on John Shaqi.
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